David Henry Sterry

Author, book doctor, raker of muck

David Henry Sterry

Category: Press

Musical Playlist & Interview for Glorious World Cup from Largeheartedboy

I love this website, and the guy who runs it is way cool, David Gutowski. i had a blast putting this 2gether.

2010-fifa-world-cup-south-africa-artwork-wallpaper pg-44-iggy-pop-ap

http://www.largeheartedboy.com/blog/archive/2010/05/book_notes_davi_13.html

 

 

My Interview with Violet Blue, Sex Brain Extraordinaire on Being an Industrial Sex Technician

I was just going through my back pages on my website, I found this very cool link to an interview. I’m not sure if I posted this here yet, but this is by Violet Blue. I shared a bed with her and San Francisco during Lit Quake. As part of a night of erotica at which I was the master of ceremonies. She was extremely saucy and extravagantly smart. Then I was recently in Richmond Virginia doing a gig with the James Valley Writing Group, Slash, and Valley Haggard, I was in my hotel room I turned on the TV, and BOOM! There was Violet Blue on Oprah, being all smart and sexy.

http://www.tinynibbles.com/blogarchives/2009/11/the-industrial-sex-technician-an-interview-with-david-henry-sterry.html

violetblue

NY Times Book Review: Hos, Hookers, Call Girls and Rent Boys

HosHookersHos, Hookers, Call Girls and Rent Boys featured on the cover of the Sunday New York Times Book Review.  Written by Toni Bentley. To buy the book click here.

“An eye-opening, occasionally astonishing, brutally honest and frequently funny collection from those who really have lived on the edge in a parallel universe…unpretentious and riveting — but don’t worry, their tales are also graphic, politically incorrect and mostly unquotable in this newspaper…”

“Lele,” a piece by Jodi Sh. Doff, who “grew up in the suburbs as someone else entirely,” recalls Henry Miller’s in-your-face exposition. She tells of a night at Diamond Lil’s on Canal Street, where “Viva’s sitting onstage, legs spread wide.” While her customer is buried and busy, she holds a cigarette in one hand, a drink in the other, and chitchats with a girlfriend about another girlfriend. “Every two minutes or so Viva taps him on the head and he hands her a 20 from a stack of bills he’s holding, never looking up.” We see in this wonderful set piece the whole money/sex connection enacted with raw charm and an immediacy that reaches far beyond this strip club, as the man’s stack of 20s, one by one, becomes hers. Multitasking Viva holds them “folded lengthwise in her cigarette hand.”

“Very brave, very moving.”

“This collection is a wonderful reminder that good writing is not about knowing words, grammar or Faulkner, but having that rare ability to tell the truth, an ability that education and sophistication often serve to conceal. While we are all, I suppose, in the business of surviving, some really are surviving more notably than others. The collective cry for identity found in this unsentimental compilation will resonate deeply — even, I suspect, with those among us who pretend not to pay for sex.”

 

 

 

Music Playlist for Hos Hookers Call Girls & Rent Boys on Largehearted Boy

Sex worker songs i listened to writing Hos Hookers

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http://www.largeheartedboy.com/blog/archive/2009/11/book_notes_davi_11.html

 

NY Times raves on Hos, Hookers

hos cover JPEGNew York Times review has hit the streets for Hos, Hookers, Call Girls & Rent Boys: Professionals Writing on Life, Love, Money & Sex, I am ecstatic about this truly min boggling turn of events and want to thank the amazing contributors and everyone who helped w/ special shout out to my boy RJ Martin who partnered w/ me on this labor of life which has given birth to such a flourishing child. 

http://www.nytimes.com/2009/08/23/books/review/Bentley-t.html?em

“An eye-opening, astonishing, honest and funny collection from those who really have lived on the edge in a parallel universe… Unpretentious and riveting, their tales are also graphic, politically incorrect and mostly unquotable in this newspaper.” Toni Brantley, NY Times

Rave Reviews for Chicken

Chicken CoverCHICKEN: THE BOOK

Chicken was published by HarperCollins (ReganBooks) in 2002, then Canongate in the UK in 2003, and de Kern in Holland in 2004. It came out in German (Rowohlt, 2005), Spanish (Grupo Planeta, 2005), Croatian (Celeber, 2005). It is coming out in Italian (Adelphi, 2007), and Russia (Red Fish, 2007).

“Sterry writes with comic brio… [he] honed a vibrant outrageous writing style and turned out this studiously wild souvenir of a checkered past.” – Janet Maslin, New York Times

“This is a stunning book. Sterry’s prose fizzes like a firework. Every page crackles… A very easy, exciting book to read – as laconic as Dashiell Hammett, as viscerally hallucinogenic as Hunter S Thompson. Sex, violence, drugs, love, hate, and great writing all within a single wrapper. What more could you possibly ask for? -Maurince Newman, Irish Times

“A beautiful book… a real work of literature… wonderfully written.” – Vanessa Feltz, BBC

“Insightful and funny… great stories… captures Hollywood beautifully…” – Larry Mantle, Air Talk, National Public Radio

“Priceless material.” -Details Magazine

“Humorous and charming… Outrageous and entertaining…” – Michael Williams, BBC 1

“A breezy read, pleasingly free of self-pity… very funny.” -The Observer

“Jawdropping… A carefully crafted piece of work…” -Benedicte Page, Book News, UK

“A 1-night read. Should be mandatory reading for parents and kids.” -Bert Lee, Talk of the Town

“Few rites-of-passage tales can match up to this one.” -The Weekend Scotsman

“In een eigenzinnige stijl en met een superb.” -Dutch Journal

“Hilarious.” -The Guardian (London)

“Alternately sexy and terrifying, hysterical and weird, David Henry Sterry’s Chicken is a hot walk on the wild side of Hollywood’s fleshy underbelly. With lush prose and a flawless ear for the rhythms of the street, Sterry lays out a life lived on the edge in a coming-of-age classic that’s colorful, riveting, and strangely beautiful. David Henry Sterry is the real thing.” –Jerry Stahl, author of Permanent Midnight

“The overall effect is jarringly surreal, like an X-rated Boogie Nights narrated by a teenage Alice in Wonderland. Sterry’s anecdotes… expose Hollywood at its seamiest, a desperate city of smut and glitz. I read the book from cover to cover in one night, finally arriving at the black and white photo of the softly smiling former chicken turned memoirist.” -Places Magazine

“Farcical… sad… perceptive… Reality porn for the sophisticated reader.” – The Sunday Herald

“Compulsively readable, visceral, and very funny. The author, a winningly honest companion, has taken us right into his head, moment-by-moment: rarely has the mentality of sex been so scrupulously observed and reproduced on paper. Granted, he had some amazingly bizarre experiences to draw upon; but as V. S. Pritchett observed, in memoirs you get no pints for living, the art is all that counts-and David Henry Sterry clearly possesses the storyteller’s art.” – Phillip Lopate, author of Portrait of My Body – Phillip Lopate, author of Portrait of My Body

“Snappy and acutely observational writing… It’s a book filled with wit, some moments of slapstick, and of some severe poignancy… a flair for descriptive language… The human ability to be kind ultimately reveals itself, in a book which is dark, yet always upbeat and irreverent. A really good, and enlightening, read.” – Ian Beetlestone, Leeds Guide

“Brutally illuminating and remarkably compassionate… a walk on the wild side which is alternatively exhilirating and horrifying, outrageous and tragic… Essential reading.” – Big Issue

“Visceral, frank and compulsive reading.’ –City Life, Manchester

“Sparkling prose… a triumph of the will.” -Buzz Magazine

“Pick of the Week.” -Independent

“Generous and refreshing… colorful and entertaining.” -The List, Edinburgh

“Unflinching and perceptive …often very funny.” -Independent on Sunday

“Farcical… sad… perceptive… A rollercoaster… Reality porn for the sophisticated reader.”-Vicky Allan, The Sunday Herald

“Buy it, read it.” -Ladsmag

“Fresh and fascinating… highly amusing, deeply shocking, … and rather sweet.” -What’s On

“Impossible to put down, even, no, especially when, the sky is falling…Vulnerable, tough, innocent and wise… A fast-paced jazzy writing style… a great read.” -Hallmemoirs

“Full of truth, horror, and riotous humor.” -The Latest Books

“His memoir is a super-readable roller coaster — the story of a young man who sees more of the sexual world in one year than most people ever do.” – Dr. Carol Queen, Spectator Magazine

“Terrifically readable… Sterry’s an adventurer who happens to feel and think deeply. He’s written a thoroughly absorbing story sensitively and with great compassion… A page-turner… This is a strange story told easily and well.” – Eileen Berdon, Erotica.com

“An intriguing and compelling read… Lively, honest prose which cleverly combines the past with the present.” -Carol Anne Davis, Tangled Web UK

“Love to see this book turned into a movie, Julianne Moore might like to play Sterry’s mum…” – by Iain Sharp The Sunday Star-Times, Auckland, New Zealand).

“Chicken expands our understanding of who does sex work and what it involves; of how family dislocation, dysfunction and desertion affect children and adolescents; and of the complex interplay between social norms, sexual practices, “deviant” behavior, and identity. Academics might use Chicken profitably to help students explore non-fiction and memoir writing, or substantively in courses on gender, sexuality, adolescence, deviance, the sexual revolution, the 1970s, southern California, and related topics. As a floodlit slice of life or an object lesson about attempts to counterbalance (dare I say “straddle”?) propriety and impropriety, Chicken is highly recommended. The writing style in Chicken is brash and engaging. Reminiscent of “gonzo journalism” and Lewis Carroll, Sterry’s style includes vivid descriptions, trenchant metaphors, creative compound words, and a taste for alliteration. Yet the book is more than just flashy, over-the-top recounting of colorful anecdotes. Rather, Sterry’s writing style serves his substance well, clearly evoking the milieu of 1970s sexual-revolution-era Hollywood. At the same time, the book is visceral and brutally honest about Sterry’s emotional and physical ordeals during his year as a sex worker. He expresses both sympathy and anger for his clients; in regard to his own behavior, he is subtly introspective, smoothly moving between an account of his feelings at the time and a retrospective evaluation of his actions and motives. While his account does not appear to temper the meanness, sadness or vapidity of many of his customers, he does not shrink from reporting his own failings, either. For example, his recounting of his displaced rage on the basketball court is unflinching and heartbreaking.” Dr. Ann Lucas –Sexuality & Culture, an Interdisciplinary Quarterly

CHICKEN: THE SHOW

#1 Play in Great Britain. -The Independent

“Poignant…a rare pleasure… moving and original… revealingly honest… Sterry is a sharp comic, using his limber body and versatile voice to create memorably portraits of the hungry, lonely, wealthy women who employ his services…Sterry needs no other prop than a wooden bench to get full mileage out of the ludicrousness of sex… But what gives it depth is the hard, sad reality beneath its Rabelaisian humor… Richly entertaining and thought-provoking… Speaks cleverly and provocatively to anyone who’s ever been or had a child.”
—Robert Hurwitt, Head Theater Critic to The San Francisco Chronicle

“Full of energy… fast, provacative, and highly engaging… Simply unmissable…” – The Hearld

“Irresistible… very enjoyable… radiates honesty… funny, physical, and fast…” -The Scotsman

“What a rare pleasure it is to see a writer perform his own work… dream-like profundity…Sterry’s portrayal of his 17-year-old self is immediately honest and believable… juxtaposed with his masterful control of poetic dialogue balances the show.” — SF Examiner

“Sterry summons up in glorious technicolour an amazing array of characters… Extraordinary… engrossing and touching… a great story… It’s a must!” —Daily Mail

“Graced with insight and empathy—Sterry finds a literary rhythm as fluid and alluring as the strut of his ‘nuthugging elephantbells’… a sense of humor as bright and ridiculous as a ‘blood-engorged wangdangdoodle- hammer’.” —S F Weekly

“Disturbing, heartrending, and so funny it makes you choke… intoxicating energy and magnetic storytelling charisma… the poignancy and honesty hits you hard.” – Brighton Argus

“A tour-de force.”—SF Bay Times
“Sextacular.” – Beth Lisick, SF Gate
“Frank, funny and surreal.” –The Stage
“Pick of the week… Hysterical.” – The Guardian
“Hard-hitting and universal.” -Time Out San Francisco
“Sterry is a man you should know” -Year-End Best Of SF Weekly

“Sterry tells a sad and harrowing story with humor, energy, and a sharp eye for the sort of characters an ‘industrial sex technician’ might meet in the weird aftermath of the ‘60s.” —Michael Scott Moore, The San Francisco Weekly

“Hugely compelling to watch… real skill… The story is told in deft snippets… the language is poetic, and a 1970’s soundtrack gets the audience in the mood… [a] triumphant story… it’s clear that this is a comedy hiding in a tragedy.” -The Independent

 

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