David Henry Sterry

Author, book doctor, raker of muck

David Henry Sterry

Month: July 2009

Ho’s Hookers, Call Girls & Rent Boys: Professionals Writing on Life, Love, Money & Sex

HO’S, HOOKERS, CALL GIRLS & RENT BOYS:
PROFESSIONALS WRITING ON LIFE, LOVE, MONEY & SEX
AVAILABLE ONLINE & AT YOUR LOCAL BOOKSTORE

The miracle is manifest.  The anthology has hit the streets.  Half a decade in the making, this love’s labor, the product of so much blood, sweat, tears and other assorted body fluids, has finally traveled down the birth canal, and has been delivered by an able-bodied team of midwives, editors, dulas, copy editors, birth coaches, art directors and sweaty worried nerve-wracked family and relatives.  Below please find information about the website and events.  Many thanks to all involved.  We are very proud of this book.

HosHookersSmash Review on cover of Sunday New York Time Book Review.

“An eye-opening, astonishing, honest and funny collection from those who really have lived on the edge in a parallel universe… Unpretentious and riveting, their tales are also graphic, politically incorrect and mostly unquotable in this newspaper.” Toni Brantley, NY Times

REVIEW FROM PUBLISHERS WEEKLY

“The sprawling project, grouped loosely by topic (Life, Love, Money, Sex, etc.), offers insight into seemingly all aspects of the sex trade: high-profile celebrities like Xaviera “Happy Hooker” Hollander and Nina Hartley make notable contributors, but it’s the unknown writers who will stick. The selections from the book’s closing section alone, written by members of Sterry’s San Francisco writer’s workshop for sex workers, range from triumphant to harrowing… Aside from exposing the complex web of relationships among phone sex operators, dancers, massage parlor workers, prostitutes and their customers, the book is heavy with raw emotions ranging from celebratory to shameful, giving sociologists plenty to ponder. It’s not all dark and heavy: Sterry’s own account of his experience as a birthday present for an 82-year-old grandmother is touching and sentimental; veteran performer Annie Sprinkle is characteristically blunt, funny and honest… This volume houses some real gems.”

Hos, Hookers, Callgirls, and Rentboys is a collection of short memoirs, whore war stories, confessions, nightmares, journalism and poetry.  It contains new writing from sex worker literati: art-porn priestess Dr. Annie Sprinkle; the infamous Happy Hooker, Xaviera Hollander; author and LGBT activist Mattilda Bernstein Sycamore; star of The Devil in Miss Jones, Georgina Spelvin; best-selling memoirist David Henry Sterry and sex educator/movie star Nina Hartley. But it also includes crack hos, male hustlers, pimps and the teenagers they exploit.  Funny, terrifying, tragic and inspiring, this collection of oral history, short memoirs, war stories, confessions, nightmares, social criticism and poetry is unprecedented because it includes people from all walks of the sex for money world.

From back-alley Tenderloin massage parlors, to glittering Beverly Hills hotels, to Times Square porn palaces, to the meanest streets in Harlem, Hos, Hookers, Call Girls, and Rent Boys is a collage of sex and money, shining light on this hidden underbelly of America, from sea to shining sea.

NY Press – 8/11/09

“The prose in this volume is fresh and the tales are both heart-rending and hilarious, sometimes simultaneously… What’s most striking about the volume is how relevant these intimate and detailed chronicles are for any reader, whether they’ve sold their bodies or just their souls. It’s not just about sex.”

Tiger Beatdown 8/26/09

“Hos, Hookers, Call Girls and Rent Boys is an extremely valuable and necessary book, not because it tells you what your perspective ought to be, but because it provides more perspectives than pretty much any other book on the topic… hilarious… Sexy and sunny pieces (the sunniest, actually, often come from Sterry himself) coexist with downright harrowing narratives; sex workers who choose the work freely and love doing it are represented, as are sex workers who were forced to do the work and suffered immensely. The book is free of any agenda but a commitment to giving voice to sex workers.”

The Rumpus 8/26/09

“In addition to being porn stars and prostitutes, many of these people are talented writers with strong voices and precise observations. They’re natural born storytellers who manage to encapsulate an aspect of their experiences in wonderfully succinct (Sebastian Horsley: “Brothels make possible encounters of extreme intimacy without the intervention of personality.”) and stark, unsentimental ways (Brenda: “I have been arrested eight times for prostitution. It messed up my life.”)

Daily Beast – 9/12/09

“The book never feels like a naïve glamorization of the industry. ‘Ultimately, the stories in Hos, Hookers, Call Girls, and Rent Boys are all about money, says Sterry. ‘In our culture, happiness means money, a big house, and an expensive car. So when I, as a 17 year old, could make $100 by pleasing an 82-year old woman, that to me was a great American success.’

Style – 9/15/09 

“Taboo, clever, wrenching and compulsively readable, you’ll be stripped of your stereotypes between the covers of this book.”

Antalffy Tibor honlapja 9/27/09

“Rögtön a hívás után a fejemben megjelent egy szörnyű kép: egy ráncos, löttyedt, aszott nagymama átlátszó hálóingben közvetlenül előttem áll, és az én szegény, picurka péniszem egy élettelen, használhatatlan, húsdarab ott lógott a lábaim között, és a pénzt vissza kellett adnom, miközben szégyenemben el akartam bújni a szőnyeg alá, mert a nemi szervem brutális cserbenhagyása megszégyenítő volt. És ez a kép egészen addig nem múlt el, amíg az előkelő Swank Swish szálloda megadott ajtaján be nem kopogtam.”

Revista Fuscia

“Hace poco me encontré un libro realmente sorprendente, que trata de historias de profesionales del sexo. Se llama Hos, Hookers, Call Girls, and Rent Boys, en español sería Putas, prostitutas y muchachos para arrendar. Se podría argumentar que para qué pierde uno el tiempo leyendo libros basura, pero la verdad es que desde el punto de vista de las relaciones humanas, es un texto muy interesante, a veces brutalmente honesto, pero también con sentido de humor.”

Acik Radyo

“Kitabın adı  Hos, Hookers, Call Girls, And Rent Boys, Professionals Writing on Life, Love, Money, and Sex. Yani Kevaşeler, Orospular, Telekızlar ve Kiralık Oğlanlar, Profesyoneller Hayat, Aşk, Para ve Seks Üzerine Yazıyor. Yepyeni bir kitap bu, temmuz ayında Amerika’da Soft Skull Press tarafından yayımlanmış. Kitabın elimize geçiş hikâyesi ayrı ilginç. Mahallenin Fahriye Ablası’nın bir kıyağı bize diyelim teferruata girmeden ve hemen kitaba dönelim.”

Bust 10/06/09

“The first hand accounts, interviews, and poems featured in this book are so well written and organized, that the fact that they all center around the exchanging of sex for money falls into the background, and what’s left is an intimate offering of on-the-job gossip and late night horror stories that have you wanting to spend more time with the writer than the three or four pages a pop you’re given with each one.”

SF Weekly – 7/25/09 “This kaleidoscopic portrait of sex work in America is all the more striking for its breadth.”

Book Marks 11/30/09

“Sassy, sexy and certainly informed essays by sex workers. the oral histories by hos and hookers that conclude this collection – funny and tragic, matter-of fact and terrifying – give the book its authentic heft.”

NoPornNorthampton 11/17/09

“This fascinating anthology of personal essays by current and former sex workers gives readers a glimpse into the complex emotions of those who make a living selling intimacy… Fascinating, moving and darkly funny… humor, tenderness, pain, and aggression… unexpectedly sweet… it’s a great read.”

The Skinny 11/23/09

“From the big screen to the street, phone sex to stripping, and incalls to escorting… they’ve experienced sex work as an empowered choice, as a living hell, as a drug-fuelled necessity. They cover migration, burnout, criminalisation, violence, keeping secrets, coming out to family, and interactions with clients and colleagues.  It delves deep and illustrate the complexities of the writers’ experiences. Alternately eye-opening, funny, moving, and devastating, this book should be required reading for those who still think any kind of sex worker is ‘representative’.”

Womanist Musings 11/24/09

“The book unflinchingly represents the voices of survivors of pimping, rape, abuse, thrust upon those who are forced into the sex industry.  Editor David Henry Sterry has successfully etched out a safe space for these survivors’ sharp, sensitive prose… In a reading that brought down the house at Busboys and Poets, Sterry’s rendition of “I Was a Birthday Present for an Eighty-Two-Year-Old Grandmother” was both incredibly funny and a fascinating anti-ageist commentary on the things we’re all afraid to ask for.  I sat in the audience, enraptured by Sterry’s uncanny vocal impressions and gesticulating… Hos, Hookers, Call Girls, and Rent Boys is a must-read for anyone who wants to experience first-hand the voices of contemporary sex workers.”

Meet, Pay, Love

hos hookers cover-500

By TONI BENTLEY

Published: August 20, 2009

Money and sex. Sex and money. Sounds dirty already. Is it the money that makes the sex dirty? Or the sex that makes the money dirty? Or, rather, the puritan strain that says they’re both dirty? How sexy! I mean, how inappropriate! And yet here we are again and again . . . and again. It’s former Gov. Eliot Spitzer of New York spending $80,000 on escorts, the parents (the parents!) of Senator John Ensign of Nevada distributing $96,000 to their son’s mistress and her family, Gov. Mark Sanford of South Carolina using taxpayer dollars to visit his South American “soul mate” and the $4 million rock on Kobe Bryant’s wife’s finger after his adulterous mishap. Money to get the sex, and money to make it go away.

If you are thinking this dynamic pairing is only for public figures, just contemplate your own divorce, past, present or future. And yet, still, it is taboo to regard sex and money as inextricably interwoven, to openly speak of them together. Why is sex supposed to be free? It never is. Ask anyone. Like Sebastian Horsley, England’s low-rent Oscar Wilde. “The difference between sex for money and sex for free,” he writes, “is that sex for money always costs a lot less.” Money is the elephant in every bedroom, making your parents’ constant presence look positively bourgeois.

But the connection is seeping into the mainstream. Witness Steven Soderbergh’s recent film, “The Girlfriend Experience,” which is about an expensive call girl and stars the real-life porn star Sasha Grey, and the new HBO series “Hung,” about a nice middle-aged dad who becomes a gigolo. The show, however, plays it safe, making him a financially strapped, reluctant gigolo and not, God forbid, a lusty one. Here, ironically, sex for money is more decent than sex for pleasure.

But if you want to know the real price of pleasure, ask the strippers, streetwalkers, Craigslist prostitutes, phone-sex operators, madams, pimps, drug addicts, porn stars and “performance artists” who offer themselves up in “Hos, Hookers, Call Girls, and Rent Boys,” a collection of essays, vignettes, rants and poems, edited by David Henry Sterry (who wrote the very good 2002 memoir “Chicken,” about his life as a young hustler) and R. J. Martin Jr., the director of development for the SAGE Project (Standing Against Global Exploitation) in San Francisco, which offers support of all kinds for sex workers. While good girls require dinner, trips, “commitment” or even an engagement ring for sex, here is a book by those who simply get the cash upfront.

From the unappealing title, you might think this is a truly trashy paperback. Far from it: it’s an eye-opening, occasionally astonishing, brutally honest and frequently funny collection from those who really have lived on the edge in a parallel universe. Their writing is, in most cases, unpolished, unpretentious and riveting — but don’t worry, their tales are also graphic, politically incorrect and mostly unquotable in this newspaper.

There are some well-known names here. Xaviera Hollander informs us that “it’s much harder to be a writer than a hooker,” and the ever-sprightly Annie Sprinkle gives “40 reasons why whores are my ­heroes” and then asks, “Do you have what it takes to be a whore?” Probably not. (Easier to be a writer, I think.) But the joyous glibness displayed by Hollander and Sprinkle is nowhere to be found in the best of the entries.

“Lele,” a piece by Jodi Sh. Doff, who “grew up in the suburbs as someone else entirely,” recalls Henry Miller’s in-your-face exposition. She tells of a night at Diamond Lil’s on Canal Street, where “Viva’s sitting onstage, legs spread wide.” While her customer is buried and busy, she holds a cigarette in one hand, a drink in the other, and chitchats with a girlfriend about another girlfriend. “Every two minutes or so Viva taps him on the head and he hands her a 20 from a stack of bills he’s holding, never looking up.” We see in this wonderful set piece the whole money/sex connection enacted with raw charm and an immediacy that reaches far beyond this strip club, as the man’s stack of 20s, one by one, becomes hers. Multitasking Viva holds them “folded lengthwise in her cigarette hand.”

Audacia Ray, who now teaches human sexuality at Rutgers University, certainly earned her degree out in the field, having at one point paired up with a woman named Lily as a massage team offering happy endings. “Money got us hot and bothered,” she writes, and one evening, after Lily cashed a disability check from the federal government for $10,000 (she had no bank account, of course), she poured the money — “mostly $20 bills” — onto the bed. They shut off their phones, bathed together, got “very, very high” and then rolled around “naked in the cash. . . . Even now, when I think of the hottest sex we had, I think about currency stuck to her flesh.” Now there’s an image to promote the beneficence of Uncle Sam.

One online dominatrix, Sadie Lune, pooh-poohs all the knowing talk of the “natural power” of a domme making a “proud man” stoop — you know, the lawyer, doctor or judge who wants to clean toilets on a leash. “What we talk about, often off the Internet and out of leather, is the power of money. . . . More often than not the money tops the scene. . . . Money demands slow heavy bondage when all we feel like is smacking a grateful subject around. . . . The biggest trick is really coming to terms with the fact that money is the boss’s boss.” So which is more powerful, money or sex? I forgot.

There’s plenty of useful information in this book for those of you planning a little adultery or prostitution, or even just some old-fashioned phone sex. Lilycat describes the protocol of “Feed Me the Line”: “We couldn’t use any sexually explicit words or phrases till the caller used them first. . . . And strangely enough, getting a very horny man to talk dirty to you isn’t as easy as it seems.” The women were permitted to use medical names for body parts, but “Baby, I would like to do something pleasurable with your penis” was not — surprise, surprise — what the client wanted to hear (though it’s all you’ll get in this review). If the caller refused to talk dirty first, moaning was the fallback, and Lilycat reports the little-known fact that “if you moan for long enough you can become lightheaded and almost pass out” — “so baby, use your dirty, dirty words” and help the lady out.

The most devastating section of the book — its broken heart, its guts on the page — is found in a few horrifying stories that came out of a writing workshop Sterry gave for severely abused young women. For example, Jessica Bertucci writes about her “weekend visit with my dad”: “I begged my mom not to take me but she did anyways. Oh, by the way, my dad raped me when I was 2 years old.” After being blindfolded in a room with her father’s drinking, crack-smoking buddy, she heard her dad “whispering in my ear, ‘Don’t be scared, you’re helping Daddy pay the rent.’ Oh, by the way, I was 9 years old.”

Sterry, as editor, inserts himself considerably more than necessary, introducing many of the writers in such relentlessly lengthy and glowing terms as to patronize them. On the other hand, the actual bios for the contributors make for provocative reading and can leave one feeling like an unadventurous slacker. Berta Avila, “a Chicana from El Segundo Barrio of El Paso,” is now a translator but has been an “exotic dancer, escort service worker, brothel worker, waitress, medical-legal assistant and instructional assistant for elementary-school children.” Zoe Hansen “achieved stability through methadone maintenance and felt it was time to open her own brothel, Sterling Ladies, which was on Park Avenue and 21st Street. It was the first of five brothels she opened during the next three years.” (I’m starting to get a brothel-opening feeling myself.) Carol Queen “got a Ph.D. in sexology so she could impart more realistic detail to her smut.” (Dr. Queen writes about her “oral clairsentience,” but I can’t explain here.) While many, perhaps most, of these writers use pseudonyms, they are everything but anonymous.

Kirk Read tells the magnificent story of Ray, a rich, hairy, middle-aged Texan, who hired Read to be his witness as he methodically enclosed his entire body in numerous “stretchable layers, one upon another.” With the final touches of “gold gloves that reached up past his biceps” and a black spandex hood, “he turned and faced me, holding his hands up into the air like a victorious Mexican wrestler. Humble. Brave.” Very brave, very moving. The scene, in its inherent perversity, has the feel of a crucible, a kind of spandex crucifixion bestowing grace on one who has the courage to go “to the underworld” and find “erotic freedom by any means necessary.” The two men shook hands, the only time they touched, and parted ways, an encounter with more tenderness and dignity than many a marital one.

This collection is a wonderful reminder that good writing is not about knowing words, grammar or Faulkner, but having that rare ability to tell the truth, an ability that education and sophistication often serve to conceal. While we are all, I suppose, in the business of surviving, some really are surviving more notably than others. The collective cry for identity found in this unsentimental compilation will resonate deeply — even, I suspect, with those among us who pretend not to pay for sex.

Toni Bentley danced with New York City Ballet for 10 years and is the author of five books, including “Winter Season: A Dancer’s Journal” and “Sisters of Salome.” She is working on a book about Balanchine’s ballet “Serenade.”

 

 

Huffington Post: LeBorn Is Le Punk

http://www.huffingtonpost.com/david-henry-sterry/lebron-lepunk-james-gets_b_230321.html

Nude Men & Murder 2: America, Whatta Country!

Live Video Post:

America Doesn’t Suck After All: Confederation Cup 2009, South Africa

Hear that faint distant humming sound, like a billion buzzing bees? That’s the sound of millions of soccer fanatics ratcheting their vuvuzela noisemakers as they gear up for what is predicted to be biggest sporting event on the planet: World Cup 2010 in South Africa. For the uninitiated, it’s like the Stanley Cup, NBA championship, Super Bowl, US Opens (golf and tennis) and the World Series all rolled into one. World Series? What world is that? No, in soccer, World Cup means everyone in the whole wide world has a chance to win. And because it’s the first time the tournament has been held on the African continent, this World Cup promises to be a Nelson Mandela, Euro-samba oriental blowout of global proportion.

Which brings us to South Africa, June, 2009, where poor, pitiful, ragtag Team USA was scheduled to compete in the last major tournament before next summer’s World Cup. Going up against a galaxy of Goliaths: 2006 champions Italy; world numero uno Spain; and mighty mighty Brazil. Armed without even a slingshot, based on their recent mauling at the hands of Costa Rica where they played like a bunch of soccer moms.

It’s been hard to be American lately. When you go into a bar basically anywhere in the world and say you’re American, people often look at you like you just tried to kill their dog. Bombing civilians, raping the landscape, setting up puppet governments and trading blood for oil. These are just some of the answers to the question that I’ve heard so many bewildered, innocent looking Americans ask: Why do they hate us? But if you are a member of the American national soccer team, you have felt hated for decades. You’ve had foreign fans throw coins, batteries, even baggies full of warm urine/hot p*ss at you all over the world. Worse, you’ve been the object of pity. The butt of jokes. Because so often you have just plain sucked. Sure, every once in awhile Team America would make a little splash. And they have come to dominate what is a very weak region of the soccer world. But time and time again, when they come up against the big boys, they have turned from men into mice.

So, as America opened up against Italy, they seemed nervous, shaky, and insecure, like a homeowner six months behind on the mortgage who’s expecting a foreclosure notice any second. For one brief shining moment there was a ray of hope, as the penalty machine himself, former golden boy Landon Donovan, slotted home a penalty kick. Shockingly America had a lead. Before you could say badda bing badda boom, they were drowning in wave after wave of pressure from men with vowels at the ends of their names. Suddenly Italy was up 3-1. But it wasn’t just the fact that Team America was bitch-slapped so badly. It was the fact that they looked like a mediocre college team trying to play against the Yankees. The salt in the wound came courtesy of two brilliantly taken goals scored by a guy from New Jersey. Because his parents happen to be Italian, he got to choose which country to play for. He chose Italy over us. Bastard.

That’s when the nightmare really began. Because next up were the kings of soccer, the team that puts the beautiful in the beautiful game, Brazil. Sure enough, the samba masters toyed with the red white and blue like an alpha cat with three blind mice. The low point was when Brazil scored on an American corner kick. In football terms, that’s like being on your opponent’s goal line, handing them the ball, and watching them run 99 yards for a touchdown. The final score, 3-0, in no way reflected the utter degrading humiliation that Brazil laid on America in this righteous smack down. If not for T-Ho, the indomitable goalkeeper Tim Howard, the score could have been 10-0.

A great cry was heard on the World Wide Web: Fire Coach Bradley! He is home grown, not a fancy foreign import, but he is untested on the world stage. Plus, his son plays almost every minute of every game. And recently his son had been “skinned” as they say, turned inside out by an attacker, made to look like a rank pansy amateur. The heat was on. America had one game left, against Egypt. Who, miraculously, had beaten Italy. Which made America’s dismal loss to the Italians seem even worse. And Egypt had scored three goals against Brazil. Although they had allowed four. Still, Brazil had whipped America like a dominatrix at a submissiveness convention. So a stake was poised over the heart of Team America. Well, there was a tiny, slim, infinitesimal chance. But judging by how badly they had sucked, the fat lady was warming up to sing. By all accounts the Americans should have just pack their bags, and slunk away in shame, tails between their legs, licking their wounds.

Then something strange happened. America started being, well…America. Whatever America has had success on the world soccer stage, it’s because they worked harder, ran more, through their bodies around with mad abandon, left their hearts, guts, and nuts out on the field. Suddenly, against Egypt, the Americans were playing balls out. Flying around the field like this might be the last game I ever played. Not just in this tournament, but in their whole lives. Lo and behold, they got a lucky break. Funny how that works right? You bust your ass, you play with crazy passion, and all of a sudden you get a lucky break. How lucky? In this case, new boy Ricky Davies actually scored off the Egyptian goalkeepers face. Not how they draw it up on the instructional video. Abut a goal is a goal. The news came in from the Brazil-Italy game. Brazil was running roughshod over the suddenly hapless Italians. If Brazil could get three goals ahead, and America could win by three goals, the miracle would be manifest, and the USA would be through to the next round. Nose to grindstone, pedal to metal, fingers to bone, America scrapped and clawed, and there was Michael Bradley, son of the coach, stroking the ball home like an old pro. Scoring a goal for his old man on Fathers Day. Word came in that Brazil had spanked the haughty Italians sufficiently. America needed one more goal. They needed a hero. That’s when Clint Eastwood Dempsey made America’s day, streaking into the Egyptian goalmouth, muscling a header past the traumatized goalkeeper. Miraculously, America was through to the next round.

Now all they have to do was go up against Spain, the number one soccer team in the world, a bunch of it pretty, pampered, delicate genius multimillionaires who recently won the European Championship. To put it in perspective, the American striker Jozy the Pussycat Altidor can’t even crack the lineup of the second division Spanish team. But the USA came out guns blazing against the Spanish Armada: chins thrust forward, Devil may care glint in the eye, a jaunty red white and blue spring in the step. While the Spaniards looked like they sincerely believed all they have to do was throw their jockstraps out onto the field, and the uncultured, uncouth, uncool Americans would bow down before them. The Spaniards were in for a rude awakening. From the get-go the Spaniards were full of brilliance. And arrogance. While the Americans had a fire in their belly, and threw themselves relentlessly in front of everything the Spanish could muster. They chased and harried like hungry pack animals looking to feed. Their naked aggression seemed to offend delicate geniuses of Spain. Time and again, one day were tackled and stripped nude of the ball, they stood and counted like sulking children.

And then there was Jozy the Pussycat Altidor, being fed the ball at the top of the penalty box. In every contact sport there is that mano y mano moment where it becomes one man’s strength against another. It’s caveman primal. Can I beat you down? Or will you beat me down? Jozy Altidor proved to be the better man, kicking sand in the face of the feeble Spaniard like he was a 98 pound weakling. Having bested his foe, the Pussycat took its sweet time; set his sights, locked and loaded, and pulled the trigger like that’s what he was born to do. 1-0. The world bugged its eyes, palms outstretched as if to say, “OH MY GOD!”

Wave after wave of the Spanish Armada tried to land on American shores. But each time, led by Oguchi Double O Onyewu, they were thwarted by another proud American giving up his body for his country. Once again, T-Ho was a God, repelling attacks with a fierce animal agility combined with a mind of a brilliant tactician.

There’s an old rule of love and war. When you attack him from the front, you leave your back door open. And the increasingly frantic Spaniards did just that, committing forces willy-nilly upfront, while their unprotected ass was sticking right up in the air. And there was Landon Donovan, restoring some of the golden boy luster, driving with the ball at his feet, making things happen, putting in nasty little cross. Still, the Spaniards had the situation well in hand. Except for two things. Their arrogance. And good old American never-say-quit. Clint Eastwood Dempsey, this time like a sneak thief in the night, nipped behind a multimillionaire Spanish defender, who had casually, thinking he had all the time in the world because he was so rich, talented, and dashingly handsome, trapped the ball right in front of his own goal. With some serious foot-is-quicker-than-the-eye action, Clint had the ball in the Spanish net before the Spaniards could say OLE OLE. On the replay there was a fantastic shot of the Spanish defender, beautiful as a supermodel, and just as confused and vacant, with a look on his face that clearly showed his brain trying to understand, “How did that just happened?”

America, that’s how that happened. Say adios, Spain! Team America had, against all odds, and with a horrifying start it seemed to confirm their own patheticality, made it to their first final of any FIFA championship. Now all they have to do was put away mighty mighty Brazil.

But the strut was still in the stride of Team USA. They were bright, confident almost cocky. Stroking the ball around, defending with calm assurance, attacking intelligently and economically. America was playing like, well…Brazil. Even more shockingly, Brazil was playing like America at her worst. Giving the ball away sloppy, passing the ball to no one in particular, crying like little bitches when they get hit. Then in the blink of an eye, very was again, Clint Eastwood Dempsey. With a silky delicate world-class touch, he massaged the ball into the Brazilian net like tantric master. USA 1. Brazil 0. Not by some crazy fluke. This is the real shock. USA deserved to be beating Brazil.

Naturally Brazil brought it hard and heavy. But the USA stood strong. At one point Carlos Bocanegra was riding Brazilian superstar Kaka like a pony. And once again, when you attack from the front, you leave the back door open. From Brazil pressure, America made a defensive stop, in three quick passes later, Landon Donovan evolved from golden boy into golden man. He made a monkey out of the Brazilian defense, and like a lion ripping the jugular of the throat of an antelope he slammed the ball home, triggering a wild red white and blue celebration. If you had offered a betting man $100 that the US would be going into the final of the Confederation Cup leading Brazil 2-0, you would’ve gotten looks suggesting your insanity, and 1000-1 odds.

But as soon as the second half started, Brazil demonstrated why they’re Brazil. Out of nowhere, out of nothing, a quick Brazilian pirouette followed by a slashing shot from Fabiano, and America was digging the ball out of their own net. USA 2. Brazil 1.

This is where USA teams of yore would have folded like a house of crooked cards. But not this team. They didn’t panic. They didn’t freak out. They kept defending. They kept attacking. And all the while, T-Ho the Magnificent was a true tower of power, near post, far post, and everywhere in between. He even showed some excellent acting skills, convincing everyone he had saved a Brazilian header which clearly crossed the goal line. Although he didn’t win an Oscar, he was named Goalkeeper of the Tournament.

But Brazil is, after all, Brazil. And they kept knock knock knocking on the door. Finally America cracked, just a little. A defender missed a clearance, the ball bounced kindly off a post, and suddenly the score was tied. As an American, with each second that ticked by, you hoped for the best, but you just had a feeling that somehow Brazil was going to find a way. That’s what they do, these world champions. They find a way.

America made it all the way to the 85th minute. 17/18ths of the way through the game. Then it happened. A big booming back post header. Brazil 3. USA 2. Even so, in the 88th minute, the USA had a free header right in front of goal. All they had to do was put away. But they didn’t. Brazil wins the Confederation Cup. Again. Ho-hum.

America didn’t win their first international soccer tournament. But sometimes winning isn’t the only thing. Sometimes getting to the finals is the next step toward winning the finals. We saw it with the Lakers this year. We saw it when Michael Jordan kept getting beaten up by the Detroit Bad Boys before he became the King of the World. Team USA showed that they can play with the big boys. They turned from mice into men right before our eyes. They hope that they can continue to be the Cinderella who ends up with the glass slippers back here in South Africa at World Cup 2010.

And just for today anyway, it really doesn’t suck at all to be an American.

http://www.huffingtonpost.com/david-henry-sterry/america-doesnt-suck-after_b_222031.html

 

Powered by WordPress & Theme by Anders Norén