Author, book doctor, raker of muck

David Henry Sterry

Tag: publishing

Gayle Shanks of Changing Hands Bookstore on How Writers Can Work with Booksellers to Achieve Success

We first met Gayle Shanks when we did an event at her bookstore Changing Hands in Tempe, Arizona. Never having been to Tempe, our expectations were low. Our expectations were blown out of the water. They packed the place. We were duly impressed. Turns out Gayle and Changing Hands have managed to make themselves an essential part of their community. They’ve got a phenomenal collection of books, amazing T-shirts and merchandise, and a wildly knowledgeable staff that absolutely loves books. They also bring in fantastic authors to do events, and really encourage self-publishers. So we thought we’d sit down and have a conversation with Gayle to see exactly how she has managed to keep her bookstore thriving, and in fact expanding at this moment in history when people keep trumpeting the death knell of the bookstore.

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The Book Doctors: So, what prompted you to get into the ridiculous book business in the first place?

Gayle Shanks: When we started thinking about selling books it wasn’t a ridiculous business. Publishers and booksellers were thriving in 1974. There were dozens of independent stores in most cities and people were reading and and buying books. The chains, Borders and Barnes and Noble were smaller and named B. Dalton and Walden Books. They were mostly in shopping centers and didn’t seem to have a large impact on booksellers on Main Streets. Our stores for the most part were small, intimate spaces catering to our local communities and building readers from childhood through old age.

How has the book business changed since you first got into it?

Dramatically. In addition to the “B” chains expanding throughout the country and knocking out the local stores with their over zealous number of stores and retail selling space, Amazon joined the ranks in the 90s and changed the way the public thought about buying books. It’s not necessary to write about the impact Amazon has had but more interesting I think is the innovative ways that indie stores have struggled and evolved and managed to stay around in spite of the stiff and often unfair practices from the chains.

We keep hearing how bookstores are in terrible shape, but we’ve noticed that there are certain bookstores that are going gangbusters, and we would definitely put Changing Hands into that category. What do you do to keep your bookstore relevant and booming?

We change every day in small and large ways. We respond to trends, to our customers’ suggestions, to our employees ideas, to our community’s desires. We think outside the box and have made our store a destination, a Third Place for people to hang out, interact, bring their children, meet authors, have fun. We are an event producer and have over 400 events — large and small — each year inside and for really large events, outside our store. Our gift department with larger profit margins keeps books on our shelves longer and have helped create Changing Hands as a one-stop shopping experience for our customers. We provide gifts for all major holidays and birthday party presents for many, many children in our town. Books and gifts are a natural together and compliment one another. Our used books and remainders offer bargains for those who can’t afford full price new titles and the quality and quantity of them on our shelves offer people lots of choices and price points.

What mistakes do you see amateur writers making over and over again?

Oh so many mistakes — bad covers, not finding a good editor, writing a story that is great for their family but has no commercial appeal, bad writing in general, boring stories. And, an unwillingness or no knowledge of how to market the book once they have written it. It’s a very hard world for writers and self-published writers have an even harder time than those who can find agents and publishers to support them.

What things do you see professional writers do that help them become successful?

They learn to speak well in public. They are great social media people with followers on Twitter and Facebooks and they write great blogs. They interact with their readers and encourage them to share their books with their friends. They befriend their local bookseller and establish relationships with them that will carry over book after book. They make connections with key buyers at indie stores all over the country and cultivate those connections.

When you read a book, what attracts you and what repels you, in terms of putting it on your shelves?

Good writing and an interesting subject always attract me initially, but I have so many books to read that the arc of the story or good character development must happen quickly or I go on to something else. I am always looking for new authors and rely on my sales reps and fellow buyers to alert me to new books coming own the pike. I relish books by authors that I’ve read and loved and can’t wait for them to write another book. Sometimes I’m disappointed but usually not. I read about a book a week and 52 books isn’t that many to read in a year when there are so many published. I have to be somewhat selective but rarely go a day without starting something new. I have a book on CD in my car at all times and listen as I drive even though my commute is only about 10 minutes.

What you see as the future of books and publishing?

I think people are always going to read and I think the trend of reading on devices is going to be short-lived beyond those whose eyesight prohibits them from reading physical books. I think people are tired of staring at computer screens all day and will, after a few more years, not choose them as the way to read for pleasure. E-books will work for long trips to Europe when the weight of many books is too unwieldy for our suitcases but reading in bed and on the beach and on the couch, in my humble opinion, is best done with a book resting on my stomach or in my lap while I sit on a beach chair.

We understand you’re expanding, how did that come about?

A huge hole exists in our community now that most of the chains have left central Phoenix. Most of the indie stores were closed years ago because they weren’t supported by customers who became enthralled with Amazon and buying ‘cheaper’ at the chains. People have been begging us to open a Phoenix store for years now and the opportunity came up when a developer whose vision of a gathering place for the community centered on a bookstore asked us to partner with them on a project that will be truly exciting, innovative and creative. We are rehabbing an old adobe building and it will include our store, a great restaurant and a collaborative/flexible office space. We are planning a store that is smaller by half the size our current store and it will be carefully curated and include a wine and beer bar as well as a commons area where we can host events. The building is across the street from a light rail stop, will include lots of bike racks and we will encourage the urban shopper to
‘think green’ and shop locally.

What can writers do to connect with their local independent bookstore, and why should they?

Buy books at our stores — not on Amazon. Encourage their friends to do the same. Give readings at our stores. Converse with our customers. Suggest books to the buyers that they are reading and are excited about. Don’t stop talking about how important indie stores are to the community of readers and writers. Understand that without indie stores there will be no discovery of new authors, no support of mid-list writers, no venue for discussion and discourse. No young readers growing up attached to their booksellers and their books.

We hate to ask, but what advice do you have for writers?

Keep writing great books so those of us addicted to reading great books can look forward to the next great read. Stay true to your profession and study it. Learn from your mentors and favorite authors. Stay connected to the culture.

When Gayle Shanks isn’t not working in her garden, she is usually reading or watching reruns of West Wing and ER. She loves contemporary fiction, mysteries and memoirs. Occasionally you’ll find her reading essays by people like Malcolm Gladwell, Paco Underhill, Daniel Pink or John McPhee.

The 7 Minute Rule for Social Media

How to build your social network/platform without getting lost in the time suck.

http://bit.ly/10jygVk

Caroline Leavitt with The Book Doctors

Caroline Leavitt On Overcoming Nasty Writing Teachers, How to Write a Bestseller and Never Giving Up

We first met Caroline Leavitt at the Miami Book Festival. If you ever have the chance to go to the Miami Book Festival, do yourself a favor and don’t pass up the opportunity. Not only is it one of the great international book festivals in the world, it’s also the kind of place you run into people like Caroline Leavitt. Not only is she an incredibly accomplished novelist, she’s also a crackerjack human being. Lots of writers tend to be shy at best — standoffish, churlish and surly at worst. Caroline is the exact opposite. She welcomes you with open arms. If you don’t believe me, just go to her Facebook page. It’s a continuous font of information, fun and love. And she’s also that rare bird who’s managed to somehow write literary novels that sell. So we decided to take a little peek into her world and see what makes Caroline Leavitt tick.

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THE BOOK DOCTORS: How did you get into the book business to begin with?

CAROLINE LEAVITT: I was an outcast in suburbia with three big strikes against me: I was the only Jewish kid in a Christian neighborhood (my mother had to march up to the school to complain about a second grade test that asked questions about Jesus), I was sickly with asthma, and I was smart (only 10 percent of my high school went on to college. The rest joined the navy or got pregnant). I learned to live in books and I discovered I could keep myself from being beaten up by making up stories! The first time I told a story in front of the 5th grade and they didn’t throw spitballs at me or threaten me, I thought, how cool is this? This is what I want to do! But of course I heard no, no, no. When I got to Brandeis, I studied with this famous writer who told me I’d never make it. He used to slam my work in class while tears streaked my face, but I refused to leave the class. The day I published my first novel, I sent it, along with a rave NYT review to the professor, saying, “Hey, you were wrong.” He wrote back and said, “Oh, I just wanted to make you angry enough to keep pushing on.” I laughed and didn’t write back. I kept writing and writing and every week, those stupid self addressed stamped envelopes would bounce back with rejections. One day they came back and I ripped them both up into pieces. I happened to look down and there was one tiny, shining word: CONGRATULATIONS. I had sold a story and that story got me an agent, which got me my first novel.

TBD: What are some of the some of things you enjoy about writing?

CL: The fact that I can live other lives. The fact that I don’t have to dress coherently to do it. The fact that it keeps me sane. I write about what haunts me and I write the books I myself am dying to read. I love it. I can’t think of anything I’d rather do.

TBD: How do you turn off the voice in your head that says you suck?

CL: What makes you think I can? I can’t turn that voice off. It is always in my head. It always goads me to get online and compare myself to other writers. It pushes me into all sorts of magic thinking like tarot card spells and prayers to the universe: please don’t let me suck. My big revelation was one day when I got the best review I ever received in my life from the Cleveland Plain Dealer — they thought I was a genius! And then five minutes later, I got the worst review I ever received from the Phil. Inquirer who loathed everything the CPD had loved. I had a moment when I realized, not everyone is going to love me. I try to tell myself to go deeper, to just write and write and write about what matters to me, to not think about readers and critics or anything but the story. And I eat a lot of chocolate.

TBD: Do you ever get writer’s block, and if so would you do about it?

CL: I never get it. I’m always working and there’s never enough time!

TBD: Do you ever make decisions in your book based on what you think is going to make the book more commercially successful?

CL: Never. Not ever. You can’t second guess what is going to be commercially successful. You have to write the book you want to write. And wait, actually. My third novel, for a publisher that went out of business, I was pushed into writing a book that was “more commercially.” It got only two reviews, both of them so terrible I could barely leave my apartment for months, and the book died soon after. After that I vowed to never ever write anything I didn’t feel.

TBD: Do you outline your stories or do you make it up as you go?

CL: I’m big on story structure. I studied with John Truby, who mapped out story by means of moral wants and needs, and that’s what I do. Hey, so does John Irving.

TBD: Do you finish the whole draft before you go back and edit, or do you edit as you go?

CL: I do both. I edit as I go, and I must do about ten thousand drafts. Well, more like 23. And I’m serious about that.

I love rewriting because that is where and how you discover the story. It’s like you have this skeleton and you get to put flesh on it and hair and clothes and really wonderful jewelry.

TBD: You have such a fun Facebook life, what is your guiding principle in social media?

CL: Being honest. You can tell when people are trying to do what they think they should do. I’m intensely curious about everyone’s lives and I want to get to know a lot of people. I also don’t hesitate to say how I feel or what’s going on. I am who I am. (Popeye 101) I spend so much time every day alone and writing, that social media is my water cooler. I crave contact.

TBD: Were you working on right now?

CL: My novel Is This Tomorrow, about a 1950s suburb, paranoia and a vanished child, is coming out in May, so I’m doing all this prepublicity type stuff, and I sold my next novel, Cruel Beautiful World (thanks to my 16-year-old for the title!), to Algonquin on the basis of a first chapter and an outline. So I’m writing that now, deeply immersed in that moment in when the ’60s turned into the ’70s and things got ugly.

TBD: Where you see the future of books going?

CL: I think it’s going to boom. People love stories. They need stories. More people are reading on ereaders. I know a few NYT bestsellers who self-published their next book to have more control. Maybe I’m stupidly optimistic but I can’t imagine a world without books.

TBD: I hate to do this to you, but you have any advice for writers?

CL: Yep. Never ever give up. Don’t listen to all the no’s but keep writing. Keep writing. My career was over, so I thought, when my ninth novel, Pictures of You, was rejected by my then publisher as not being “special enough.” I had no sales. No one knew who I was. I called all my friends in tears and one suggested her editor at Algonquin. So I wrote up a paragraph about the book and sent it to her. She liked it and a few weeks later, she bought it and all of Algonquin was doing the unthinkable–the thing that had never happened to me–treating me with respect. They took that unspecial book and turned it into a NYT bestseller and a USA Today ebook bestseller and it got on the Best Books of 2011 lists from the San Francisco Chronicle, the Providence Journal, Bookmarks Magazine and Kirkus Review. I feel like I’m the poster girl for second chances.

Caroline Leavitt is the author of many novels, several of which have been optioned for film, translated into different languages, and condensed in magazines. Her ninth novel, Pictures of You, was a New York Times bestseller, and was also on the Best Books of 2011 lists from the San Francisco Chronicle, the Providence Journal, Bookmarks Magazine and Kirkus Reviews. Her new novel, Is This Tomorrow, will be published May 2013 by Algonquin Books. Cruel Beautiful World will be published sometimes in 2015 by Algonquin. Her essays, stories, book reviews and articles have appeared in Modern Love in the New York Times, Salon, Psychology Today, the New York Times Sunday Book Review, People, Real Simple, New York Magazine, the San Francisco Chronicle, Parenting, the Chicago Tribune, Parents, Redbook, the Washington Post, the Boston Globe and numerous anthologies. She won First Prize in Redbook Magazine’s Young Writers Contest, was a 1990 New York Foundation of the Arts Award, a National Magazine Award nominee for personal essay, and is a recent first-round finalist in the Sundance Screenwriting Lab competition for her script of Is This Tomorrow. She teaches novel-writing online at both Stanford University and UCLA, as well as working with writers privately. She lives in Hoboken, New Jersey, New York City’s unofficial sixth borough, with her husband, the writer Jeff Tamarkin, and their teenage son Max.

The Book Doctors Interview Agent Extraordinaire Mollie Glick on Trends, Self-Publishing & Truth Versus Fiction

 

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A couple of years ago we did a Pitchapalooza (think American Idol for books) in Kansas City. Our winner, Genn Albin, gave an outrageously amazing pitch for her dystopian YA trilogy. This led to an enormous buzz around her book, Crewel. Many agents were interested in her and she asked us for our advice on this most monumental of decisions. We told her, hands down, Mollie Glick was the way to go. Mollie got her a mid-six-figure three book deal with one of the best publishers in America, Farrar Strauss Giroux. Mollie is that rare agent: smart, wise, savvy, and nice. So we thought we’d pick her brain about the state of books.

THE BOOK DOCTORS: First of all what made you get into the ridiculous business of books?

MOLLIE GLICK: I’ve always been a bookworm. In fourth grade my teacher told my mother during their parent/teacher conference that I read too much! So I knew I had to find a job where I’d get paid to read. Plus, I actually get to use my English degree!

TBD: Many writers are under the impression that their manuscript just has to be pretty darn good and then once they get an agent, the agent will help them make it better. Is this is fact the case?

MG: Depends on the agent. Personally, I’m very hands on if I have a clear vision for where a novel needs to go… and that vision resonates with the author. But I actually lose out on a lot of projects to agents who tell writers it’s just perfect as it is, and then get scared off when the first round of rejections come in because they don’t know how to help the author revise.

TBD: Writers often look to what’s already been published to help them decide what kind of book to write. Is it too late to wait until a trend has appeared on bookshelves to hop on the bandwagon? Should a writer even consider trends at all?

MG: Honestly, when I take something trendy on it’s in SPITE of the fact that it’s trendy. For example, Josie Angelini’s STARCROSSED series came to me once paranormal romance had already taken off. At first I questioned whether I should still consider it. But then I started reading and I couldn’t put it down. Ultimately, that’s always my litmus test of whether I’m going to offer representation.

TBD: Do you think it’s easier these days to sell fiction based on a true story than to sell a memoir? If so, are there certain categories of memoirs (like mother/daughter stories, alcoholism stories) that this rule particularly applies to?

MG: Nah– I still love memoir! It just has to be really, really good.

TBD:What is the threshold for sales of a self-published book that make you go, “Wow!”? And in what time frame are you looking for with these numbers?

MG: Good question. I’d like to see someone selling at least 5-10k copies and hopefully more like 20k on their own. And it’s not so much about the time frame as what price they’ve set their novel at. A novel selling hundreds of thousands of copies at a dollar a pop is still intriguing, but you do wonder whether those fans will keep buying once the book costs more like ten dollars.

TBD: Do you respond to all queries, even those that are in categories you don’t represent? If not, why not? How can writers avoid the void?

MG: No– we get hundreds and hundreds of queries a week, and many of these authors are querying dozens of agents at once. I can’t respond to every one and still make a living, But my assistant and I respond to every query that looks right for my list within a week or two of receiving the query– and often much sooner. The best way to avoid the void is to make sure you’re querying a genre the agent represents, that your query letter is intriguing, and that it is grammatically correct!

TBD: What are the most common mistakes you see in queries?

MG: Addressing a query to multiple agents at once. Or sending queries on topics I’ve never expressed interest in.

Mollie Glick is an agent at Foundry Literary + Media, representing literary fiction, young adult fiction, narrative nonfiction and a bit of practical nonfiction. After graduating with honors from Brown University, Mollie began her publishing career as a literary scout, advising foreign publishers regarding the acquisition of rights to American books. She then worked as an editor at the Crown imprint of Random House, before switching over to “the other side” and becoming an agent in 2003. In addition to her work as a literary agent, Mollie has served on the Contracts Committee of the AAR and teaches classes at Media Bistro and the Grotto. Her instructional articles on nonfiction proposal writing and query letter writing have been featured in Writers Digest. Some of her recent projects include Jonathan Evison’s The Revised Fundamentals of Caregiving; Carol Rifka Brunt’s Tell the Wolves I’m Home; Elizabeth Black’s The Drowning House; Daniel O’Malley’s The Rook; Gennifer Albin’s Crewel and Josie Angelini’s Starcrossed.

The Next Big Thing Blog Hop: Jonathan Taylor Thomas, Justin Bieber & Mort Morte

1.What is the working title of your book?   Mort Morte

mort cover

2. Where did the idea come from for your book?

A dream where my dad gives me a gun for my third birthday then snatches away my binky & tells me it’s time I became a man. So I shot him.
3. What genre does your book fall under?

Illustrated coming of age black comedy: Diary of a Wimpy Kid as told by Travis Bickle from Taxi Driver

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4. Which actors would you choose to play your characters in a movie rendition? 
We’re pitching my memoir Chicken around Hollywood with the idea of Justin Bieber playing me as a 17 year old. Former teen heartthrob Jonathan Taylor Thomas was previously attached to play me.
5. What is a one sentence synopsis of your book?

It’s a story of a boy keeps killing his dads to protect his mom: it’s a story of a boy who really loves his mother.

6. How long did it take you to write the first draft of your manuscript?

Two weeks. But it took me 20 years to find a publisher.

7. What other books would you compare this story to in your genre?

Alice in Wonderland. The Tin Drum. Oedipus.

8. Who or what inspired you to write this book?

My hypnotherapist.

9. Will your book be self-published or by an agency?

Vagabondage Press.

10. What else about the book might pique the reader’s interest?

It’s got spectacular illustrations by award winning artist Alain Pilon. It’s very short.

mort morte the-mother pic mort morte the bull pic sketch-chapter-2(1)sketch-chapter-4

The Book Doctors interviewed by the fabulous Caroline Leavitt

http://carolineleavittville.blogspot.com/2013/03/david-henry-sterry-and-ariel-eckstut.html?showComment=1362542429676

The Book Doctors talk with Powell’s Kevin Sampsell about Publishing, Bookselling & Writing

We first met Kevin Sampsell when David did his tour for his first memoir Chicken. On his Portland stop, David was scheduled to read at Powell’s, one of the great bookstores not only in America, but in the known universe. He went to college in Portland, and started going to Powell’s when he was an undergraduate, dreaming that someday he might write a book that would live on those hallowed shelves. So it was kind of a dream come true when he saw his name on the marquee of Powell’s. Kevin was Powell’s events coordinator at the time, and he was so nice to David, made him feel right at home, gave him a great introduction, and they bonded as only two book nerds can. We found out that in fact Kevin is also a well-known writer, as well as a publisher. Since he’s worn so many books hats, we thought we would pick his brain about publishing, books, writing, and all that jazz.

THE BOOK DOCTORS: What have you learned about being a writer by working at Powell’s, quite possibly the greatest bookstore on the planet?

KEVIN SAMPSELL: One thing I discovered is that the book world is vast. It’s easy to walk around the store–even the room with literature and poetry, where I work most often–and feel overwhelmed. I sometimes wonder if what I create as a writer will leave any sort of dent. There’s really no way of knowing, so I just have to keep going. But having a couple of my books on the shelf among the million other books is something at least. It’s an honor to be in there, as an employee and as an author. It’s kind of surreal actually.

TBD: What have you learned about being a writer by watching a million writers do events at Powell’s?

KS: I’ve heard a lot of great success stories from writers–how so many of them struggled to get where they are and how persistence pays off. I learned that some writers are good at doing readings and some are not so good at it. I actually just started writing an article where I ask some of my favorite readers how they got so good. There are definitely some tricks and techniques to a good reading. Rewarding the audience that shows up to your reading is very important and you can’t be boring or ungrateful.

TBD: What have you learned about being a publisher by being a writer?

KS: I learned that you have to respect how much time and work a writer has put into their book. I always give the writer I’m publishing a good deal of control in shaping the book and figuring out how it looks, but I’ll make suggestions on how to make it stronger. It’s very important the book is theirs and comes out as good as they want it to, or better. I try to be a lot of things for the authors I work with–a careful reader, a helpful friend who also happens to be an experienced writer, a thoughtful editor, and a creative midwife.

TBD: What have you learned about being a publisher by being a bookseller?

KS: A lot of little details, like how to price a book. I’ve always tried to keep my cover prices on the low side. I’m more interested in getting people to read the books we publish and less interested in the profit margin. Also, that presentation (good cover and interior design) turns out beautiful and professional. Catchy titles can be important too.

TBD: What have you learned about being a bookseller by being a writer?

KS: Just like writers can have a lot of different styles, so can readers. It’s hard to pigeonhole book buyers.

TBD: What have you learned about being a bookseller by being a publisher?

KS: Poetry doesn’t sell. Just kidding. There is some truth to that statement, but not always and not everywhere. I think one thing I’ve learned, as dorky and obvious as this sounds: People who like cool books are usually really cool people.

TBD: What mistakes do you see writers make over and over and over?

KS: Probably the same mistakes I make as a writer–having certain crutch words and phrases, saying something I said ten pages before, going flat at times when there’s a chance for the prose to do something exciting or unpredictable. I also see a lot of writers who complain when their book doesn’t sell and the reason that happens sometimes, is they don’t know how to publicize or promote themselves. A writer is more successful when they’re involved in their literary community somehow. It’s very easy for an author’s book to fade away if they don’t get out in public and meet people.

TBD: How has the book business changed since you first started as a bookseller, a publisher and a writer?

KS: A lot has changed. I started my press in the 90s and I wasn’t even using a computer yet. I would do cut and paste layout on our first chapbooks. Even in the last five years, I feel like a lot has changed–ebooks are a much more valid format and bigger presses are taking less chances. As a bookseller, there are less real bookstores and more people buying on-line. As a writer, I think there are fewer paths to break through on a big press, but on the other hand there are more small presses doing awesome work now. Overall, artistically, I think it’s a pretty exciting time in the literary world.

TBD: Where do you see the future of books going?

KS: I have a very positive outlook on things. It’s hard to predict how actual books are going to do but I’m not freaked out about ebooks taking over. I think there are probably more active readers now because of computers and iPhones or what-have-you. One thing that is sometimes forgotten in this “future of books” discussion is that there are all these awesome presses–big and small–that are producing and designing amazing books. Everyone from Chronicle and McSweeney’s to Ugly Duckling Presse, Rose Metal, Spork, Poor Claudia, and countless other folks who make books that are like art. People who love to letterpress their own covers and use thread and needle to sew their very own books. It’s a crazy and beautiful part of the book world that a lot of people don’t really know about.

TBD: We hate to do this to you, but you have any advice for writers?

KS: Read as much as you write. Go out and meet other writers. Look for stories in everything around you–music, movies, family, strangers, your bus ride to work, and of course the streets. Also–keep moving forward, keep creating new things. Leave evidence of yourself in this world. Imagine what your legacy could be and try to create it.

Kevin Sampsell is the author of the memoir, A Common Pornography (2010 Harper Perennial), and the short story collection, Creamy Bullets (Chiasmus) and the editor of the anthology, Portland Noir (Akashic). Sampsell is the publisher of the micropress, Future Tense Books, which he started in 1990. He has worked at Powell’s Books as an events coordinator and the head of the small press section for fifteen years. His essays have appeared recently in Salon, The Faster Times, Jewcy, and The Good Men Project. His fiction has been published in McSweeney’s, Nerve, Hobart, and in several anthologies. His novel, This is Between Us, will publish with Tin House Books in November. He lives in Portland, Oregon with his wife and son.

 

The Book Doctors & Richard Nash on The Power of Independents & the Future of Books

Richard Nash, publishing savant, on how to get love from independents and the future of the book business with The Book Doctors on Huffington Post

Pitchapalooza

The Book Doctors & Politics & Prose Pitchapalooza on Georgetown Patch

georgetown patch on pitchapalooza @ politics & prose http://georgetown.patch.com/blog_posts/country-mouse-review-of-pitchapalooza-part-1-introduction

pitchapalooza book revue

David Henry Sterry on Gotham Writer’s Workshop

david encyclo harold lloydSome small advice about how to get published & whatnot on Gotham Writer’s Wokrshop website! http://www.writingclasses.com/WritersResources/AuthorAdviceDetail.php/author_id/195073

David Henry Sterry, Pitchapalooza, Sex Workers and Tips for Writers

This was one of the most fun interviews I’ve ever done, thanks to Julie Green.

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Murder in Marin, Science in SF, Books In(c) Berkeley, Standing Room Only in Santa Cruz, Fun Down on the Farm

We started off our Bay Area Tour with a bang at the Mystery Writer’s Conference at Book Passage (one of our ATF bookstores). There were maniac murderers, femme fatales, and international men of mystery run amok. And that was just at the faculty dinner! As for the Mysterypalooza, the bar was raised very high—lots of writers flew in from all over the country to chase their mysterious dreams. In fact, Sheldon Siegel, the attorney turned NYT bestselling mystery author who chairs the conference, was once a student there. Elaine Petrocelli, owner of Book Passage, welcomed us with her usual grace and warmth. We also had a phenomenal panel, bestselling author Hallie Ephron was an font of wisdom about the ins and outs of the fine art of the mystery pitch. How much to reveal, how much to conceal. How to create a sense of suspense, character and place. Bridget Kinsella of Publisher’s Weekly and Shelf Awareness, as well as an author, brought her market savvy and understanding of the publishing biz to the table big-time. Everyone who pitched came away with a whole host of tools for how to improve their pitch, but perhaps more importantly, how to solve the mystery of the dastardly publishing game.

TO READ MORE CLICK HERE

The Book Doctors Pitchapalooza on KALW SAN Francisco Public Radio

Public radio san francisco presents pitchapalooza

http://www.thebookdoctors.com/the-book-doctors-pitchapalooza-on-kalw-san-francisco-public-radio

Genn Albin’s Story of How She Got a Six-Figure, 3-Book Deal After Winning Pitchapalooza: Part 2

Genn Albin’s Story of How She Got a Six-Figure, 3-Book Deal After Winning Pitchapalooza: Part 2
Our fabulous Kansas City Pitchapalooza winner, Genn Albin give us part 2 of 4 of her journey to a six-figure deal for a YA dystopian fantasy novel, Crewel:
http://bit.ly/qNZbkb

Pitchapalooza Winner Genn Albin Gets 6 Figure Book Deal

This is a fantastic success story. When we went to do our Pitchapalooza at Rainy Day Books in Kansas City, little did we know that our winner would end up with a three book deal with Farrar Strauss Children’s. But Genn Albin’s truly awesome pitch for her dystopian novel Crewel just blew us away. Here’s the first of three pieces she has written for us about how the whole thing came down. Thank you, Genn, you are truly an inspiration. And we’ll be watching and reading about your journey from talented amateur to (knock wood) best-selling author.

In January I decided I needed to be more involved with the Kansas City book scene, and if you want to be more involved with the Kansas City book scene, you look to Rainy Day Books. Now at the time I had a finished first draft of my novel, but my days were spent at home with two toddlers, which meant I didn’t have a lot of time or money. So when I saw the Book Doctors were scheduled to bring an event called Pitchapalooza to Kansas City on Rainy Day’s website, I took a deep breath, picked up the phone, and made a reservation for two to the event. Thankfully, the event was free, but if you bought their book, you would receive a free phone consultation, and since money was tight, this sounded like a lot of bang for my buck. I messaged my local critique partner and told her we were going.

I spent the next few weeks devouring every blog post on the Book Doctors’ website and every news article written about the event. I suppose it stems from my background in academics that I like to research. Well, maybe I don’t like it so much as I can’t escape it.

And then the unthinkable happen — a stupid ice storm. Kansas City weather is fickle at best, and I remember worrying that I would not be able to drive down in the ice. My valiant husband, and number one supporter, promised he would drive me if I was worried about the roads. In all fairness, they were bad, but I never considered that flights might be cancelled. The morning of the event, I got a phone call letting me know Pitchapalooza was being rescheduled. I was heartbroken.

I watched the Rainy Day website for the rescheduled time, crossing my fingers that it would still happen, and reserved my spot as soon as the date was made public. I spent the next month determined to get the book as close to a final draft as possible, so I could use my consult to discuss querying — a process that had me shaking in my boots. I put together several pitches and hated them all, and then the date of the event, I sat down and put together the final pitch. In the end, I wrote my pitch in an hour, but I used all the tips and tricks I’d learned over the past two months.

I waited impatiently for my critique partner to pick me up. My car was in the shop and I was hesitant to drive the family’s only car for an event downtown (in case my husband needed to escape with the kids). But then I got a message that she was running late and it would be another fifteen minutes. I called my husband, who was out with kids and said only car, to come back to the house. I knew if I didn’t leave in the next few minutes I would miss my chance to sign up to pitch. As it was, I thought it might be too late already. He came home, and I raced to the plaza library branch. I got there right as the event was starting, but with enough time to put my name in (thank god, I wasn’t pulled over). I missed all the rules, what the prize was, introductions, but I got my name in.

Then came the excruciating part. The contestants were drawn one at a time using the on-deck system. My critique partner showed up and succeeded in keeping me calm (aka listening to me nervously prattle under my breath), and then my name was called. I was elated and terrified and ready! The thing about pitching your book in front of hundreds of people is that you are taking an often isolating experience (writing a book) and proclaiming your ambitions to the world. It was no secret to family and friends I was writing a book, but ask anyone who is a writer and they’ll tell you that most people kind of give them an oh-isn’t-that-adorable nod when you talk about it. This felt real. I was standing up and sharing my story, for better or for worse, with a group of people who knew what I meant by “writing a book.”

My pitch was timed perfectly and I stumbled over the one line I knew I would screw up (why didn’t I change it?). And then it was my turn for feedback. Arielle proclaimed it was exactly one minute. David said my delivery was smooth, and I admitted I was trembling. I believe David’s exact words were “Fake it until you make it!”

And that was it, and I was disappointed. I wanted more feedback, more criticism. I wanted them to rip me to shreds. I whispered this to my critique partner when I got back to our seats and she gave me the standard cheerleading reply : “That’s because it was perfect.” I realized then that at some point, I’d cross the divide between someone writing a book and being a writer. Criticism no longer sent me running. I wanted to make my pitch and book better even if it was painful.

There were a lot of amazing pitches there that night. A few that made me stop and take notice. A few I couldn’t hear (word to the wise: don’t sit in the back!). And I was flabbergasted by the shear number of people there. People, who just like me, were spending their free time writing with the dream of publishing a book. I hear people say they want to write a book all the time, but this was a room of people who had done it. It was such an inspiring experience.

Then it was time for them to decide on a winner. David did his best to entertain the crowd and answer questions, but I know that for myself and 24 others in the audience all we could do was try to suppress the horrible, rolling nausea in our stomachs while they decided. Geoffrey came out and reminded us about what to do to get our books signed and set up our consultations, and I refrained from screaming, “Just get it over with before I puke!”

And then he said my name.

And my critique partner let out this blood-curdling scream.

And I almost died – from excitement, from embarrassment, from surprise.

I waited for the next forty-five minutes or so to talk to Arielle and David about my pitch. The whole experience was a blur of enthusiasm and well wishes. And then another amazing thing happened. A teen girl walked up with her mom to tell me how she wanted to read my book. Talk about awesome. A real life member of my target audience wanted to read my book! Turns out V is a writer herself and an avid reader. It took me about ten seconds to beg her to be a beta reader for CREWEL. She said yes, and I’m happy to report she’s the first teen to read it and all futures books!

Arielle and David were worth the wait. They asked some questions, we took some pics, and Arielle suggested I wait until I had a finished manuscript before we had our consult. I walked away with a renewed confidence. It was as though pure adrenaline had been injected into me. I was ready to get back to work. I couldn’t have imagined how much craziness and excitement lay before me. Pitchapalooza was only the beginning of a very wild ride.

http://www.thebookdoctors.com/pitchapalooza-winner-genn-albin-gets-6-figure-book-deal

The Book Doctors Present: Pitchapalooza Video Trailer!

PITCHAPALOOZA

Pitchapalooza is American Idol for books (only without Simon). Twenty writers will be selected at random to pitch their book. Each writer gets one minute—and only one minute! In the last month, three writers have gotten publishing deals as a result of participating in Pitchapalooza. Arielle Eckstut and David Henry Sterry are co-founders of The Book Doctors, a company dedicated to helping authors get their books published. They are also co-authors of The Essential Guide to Getting Your Book Published: How To Write It, Sell It, and Market It… Successfully (Workman, 2010). Arielle Eckstut has been a literary agent for 18 years at The Levine Greenberg Literary Agency. She is also the author of seven books and the co-founder of the iconic brand, LittleMissMatched. David Henry Sterry is the best-selling author of 12 books, on a wide variety of subject including memoir, sports, YA fiction and reference. They have taught their workshop on how to get published everywhere from Stanford University to Smith College. They have appeared everywhere from The New York Times to NPR’s Morning Edition to USA Today.

At Pitchapalooza, judges will help you improve your pitch, not tell you how bad it is. Judges critique everything from idea to style to potential in the marketplace and much, much more. Authors come away with concrete advice as well as a greater understanding of the ins and outs of the publishing industry. Whether potential authors pitch themselves, or simply listen to trained professionals critique each presentation, Pitchapalooza is educational and entertaining for one and all. From Miami to Portland, from LA to NYC, and many stops along the way, Pitchapaloozas have consistently drawn standing-room-only crowds, press and blog coverage, and the kind of bookstore buzz reserved for celebrity authors.At the end of Pitchapalooza, the judges will pick a winner. The winner receives an introduction to an agent or publisher appropriate for his/her book.

To sign up to pitch, you must purchase a copy of The Essential Guide To Getting Your Book Published. Anyone who buys a copy of receives a FREE 20 minute consultation, a $100 value. If you don’t want to pitch, the event is FREE.

New York Times article: http://tinyurl.com/3tkp4gl

Pitchapalooza mini movie: http://tinyurl.com/3jr8zte

Pitchapalooza on NBC: http://www.thebookdoctors.com/the-book-doctors-pitchapalooza-on-nbc-television

Here’s what people are saying about Pitchapalooza:

“We came to Pitchapalooza with an idea and six months later we got a book deal with a prominent publisher. We simply couldn’t have done this without this opportunity and without David and Arielle. We had been working on this project for several years, on our own, and struggling without any guidance. We were really discouraged by the entire process. Winning Pitchapalooza, and working with these two, really helped us focus and renew our enthusiasm in the project. And now we’re going to be published authors!”

—Nura Maznavi and Ayesha Mattu, Pitchapalooza winners Litquke, San Francisco, Oct. 2010

Here’s what people are saying about The Essential Guide To Getting Your Book Published:

“I started with nothing but an idea, and then I bought this book. Soon I had an A-list agent, a near six-figure advance, and multiple TV deals in the works. Buy it and memorize it. This little tome is the quiet secret of rockstar authors.”

—New York Times best-selling author Timothy Ferris, The 4-Hour Workweek: Escape 9-5, Live Anywhere, and Join the New Rich,

Lovely Review from Spun Stories by Cynthia Haggard

THE ESSENTIAL GUIDE TO GETTING YOUR BOOK PUBLISHED by Arielle Eckstut & David Henry Sterry

Here is another book from my pile of how-to books on self-publishing. THE ESSENTIAL GUIDE TO GETTING YOUR BOOK PUBLISHED by Arielle Eckstut and David Henry Sterry covers just about everything you need to know about the Wild West World of publishing today. Earlier this year, I reviewed Dan Poynter’s classic book about self-publishing and praised it to the skies. The only shortcoming with that book was that it focused on publishing an actual physical book. In a way, this book takes up from where Dan Poynter left off. In addition to the usual advice about how to get an agent, and how to publish a softcover book, this book also looks at e-book and social media.

The book is divided into three parts:

  1. Setting up Shop, which covers how to get an idea for your book, how to develop your author platform, how to package your book with a title and a pitch, how to get an agent, the agonies of the submission roulette and what to when (not if) you get rejected.
  2. Taking Care of Business covers selling your book, contracts, working with your publisher, and self-publishing.
  3. Getting the Word Out covers publicity and marketing, the book launch, how to keep your book sales alive and royalties.

There is no better recommendation I can give than to tell you that my softcover copy is bristling with those sticky markers, which indicates that I found plenty of nuggets inside. If you are trying to publish your book, I recommend that you read this one carefully. You might find exactly what you need inside. Five stars.

–Cynthia Haggard writes historical novels. She has two completed manuscripts that will be published in the coming year. THWARTED QUEEN is a portrait of a woman trapped by power, a marriage undone by betrayal, and a King brought down by fear.FAMILY SPLINTERS is a novel about identity, forbidden love and family secrets. (c) 2011. All rights reserved.


Source

Carpe Dealum on The Essential Guide to Getting Your book Published

Very nice article by Andrea Pyros

http://blog.deals.com/learn-it/publish-your-novel.html?ajax=1

Outstanding Pitchapalooza in Troy/Albany NY

http://www.thebookdoctors.com/the-book-doctors-albanytroy-pitchapalooza-boffo

www.davidhenrysterry.com
@sterryhead 4 twttification
http://www.facebook.com/TheBookDoctors 4 facebookization

Herb Schaffner Displaying His Big Brain & Sharing Some Big Love For “The Essential Guide”

Our own Herb Schaffner displaying his big brain and sharing some big love for The Essential Guide.

For Link on Herb Schaffner click here:


“A must-have for every aspiring writer.” – Khaled Hosseini, New York Times bestselling author of The Kite Runner

The Essential Guide to Getting Your Book Published
http://www.thebookdoctors.com/

www.davidhenrysterry.com
@sterryhead 4 twttification
http://www.facebook.com/TheBookDoctors 4 facebookization

NPR Kansas City Radio Pitchapalooza

Really fun Radio Pitchapalooza on NPR Kansas City

The Essential Guide on Blog Business World with Wayne Hulbert

Untitled-2“Writers now have breathtaking new ways of connecting with and getting their work directly into the hands of readers. And they no longer have to rely on a small group of publishing experts in order to get published. Because there is no barrier to to publishing”, write publishing experts and Book Doctors, Arielle Eckstut and David Henry Sterry in their comprehensive and idea packed book The Essential Guide to Getting Your Book Published: How to Write It, Sell It, and Market It . . . Successfully. The authors set out a blueprint for creating an idea, developing a book on the topic, getting that book published, and delivering it to readers worldwide.

Arielle Eckstut and David Henry Sterry understand the challenges of writing a book and in getting the final manuscript published and marketed well. The authors point to the importance of passion as one of the most critical elements necessary for publishing success. Without the passion for the book’s idea, a would be author might not have the drive needed to carry the book through to completion and for the marketing effort. Along with the important aspect of being passionate about the book’s subject matter, Arielle Eckstut and David Henry Sterry share their four principles of successful publishing:

* Research
* Network
* Write
* Persevere

Arielle Eckstut and David Henry Sterry (both in photo left) recognize the dramatic and systemic changes that have altered the publishing landscape. As a result, their advice doesn’t cover just traditional book publishing. The authors also share techniques for self publishing a book, and for utilizing the alternate book formats including ebooks, audio books, and even for publishing online. Arielle Eckstut and David Henry Sterry offer step by step advice for every facet of the book publishing process, and also include the crucial but often overlooked areas of copyright, contacts, payment, and legal protection. Along with the valuable tips on taking care of business, the book also contains the always vital area of book marketing. While a book may be great, and convey the passion and knowledge of the author, without a marketing plan even the best book will fail to find an audience. Arielle Eckstut and David Henry Sterry provide marketing concepts that include both conventional and unconventional channels to promote and sell more copies of the finished product.

For me, the power of the book is how Arielle Eckstut and David Henry Sterry remove the mystery from book publishing, and present a complete handbook for achieving success as an author, from start to finish. The authors leave no stone unturned, and make it clear to the would be author that writing a bestselling book is possible, but requires much work on the part of the writer. Because of the effort involved in writing, contracting, and marketing a book, the authors emphasize that the author must be passionate about the subject or plot of the book. Anything less, and the book is likely to not do as well in any facet of the process.

Arielle Eckstut and David Henry Sterry present two very important and useful sections on the business of book publishing and on marketing the book through traditional and guerrilla methods. These two critical topics are not always included in books on publishing, making this book even more essential for the serious author. An added bonus feature provided by the authors are the many author resources in the appendix. Overall, the book is a treasure trove of information that will benefit any aspiring or experienced author.

I highly recommend the essential and very practical book The Essential Guide to Getting Your Book Published: How to Write It, Sell It, and Market It . . . Successfully by Arielle Eckstut and David Henry Sterry, to anyone seeking a one stop advice book for becoming a successful author. The wealth of information contained in this wonderful book makes it a must for any novice or long time author.

Read the valuable and information filled book The Essential Guide to Getting Your Book Published: How to Write It, Sell It, and Market It . . . Successfully by Arielle Eckstut and David Henry Sterry, and discover the insider secrets to becoming the successful published author of your dreams. From idea to sale, this is the book to unleash the bestselling author within you

New York Times Love, Heartache and Hollywood, & a Wild Thing Dirty Dancing

As 2010 turns into a bent shriveled old man, and 2011 prepares to be contracted out of the universe’s uterus, I’m filled with a profound sense of gratitude and happiness that I am not yet dead. Yes, it’s true, 2010 saw George Bush and Justin Bieber join Paris Hilton in the rank of best-selling authors. But on the upside, South Africa put on a glorious World Cup this summer, and I think it was a great sign that the beautiful delicate artistry of Spain triumphed over the rape-pillage’n’plunderism of the barbaric Vikings. Plus, California didn’t drop off into the ocean, and Olive somehow turned 3. So for me, that’s a good year.

The Essential Guide Pitchapalooza Tour is now halfway done, and while we had some soul sucking lows (the DC bookstore didn’t even know we were coming, and had 0 of our books on hand), we were lucky enough to end on a note of Xtreme triumph. In Huntington, Long Island of all places.

NY TIMES PITCHAPALOOZA ARTICLE: http://bit.ly/gw99nh

Book Revue is a very good bookstore. It has an astounding bookseller/event coordinator named Julianne Wernersbach. She hooked us up with a feature article in Newsday before the event. And a beautiful little mini-doc.

PITCHAPALOOZA MINI-MOVIE -TRY NOT TO CRY http://bit.ly/f8hH2F

WHITE KNUCKLES, CRIME & PUNISHMENT, & TRIUMPH IN LONG ISLAND: http://bit.ly/dVzatz

Which is all very odd because we’ve now done Pitchapaloozas from Dayton to Denver, Pittsburgh to Portland, Manhattan to Miami, Seattle to Tempe, Clinton to Pasadena, and Cleveland to Hollywood.
#1: The Essential Guide Rocks America Tour Kicks Off: http://bit.ly/dbk39k
#2: 1st Stop Washington DC: the Borders Incident: http://bit.ly/cQ11fj
#3: NPR Love in DC: http://bit.ly/9bCUcl
#4: Pat Conroy & Scarlet O’Hara On the Road to Pittsburgh: http://bit.ly/aVBAH5
#5: Death @ the Bookstore – The Murder of Joseph-Beth: http://bit.ly/dpYTnj
#6: Miss Ida, Daryl & Olive Chillin in Steel Town http://bit.ly/aLZS22
#7: The Beauty of Loganberry Books & the Universe’s Lollipop http://bit.ly/abOTPR
#8: Dawn Cracks Early in Cleveland http://bit.ly/axLCDP
#9: Finding Happiness @ Books & Co & the Dayton Airport Blues http://bit.ly/cwd6lo
#10: Stuck in Dayton on the Day That Would Never End http://bit.ly/cfipH1
#11: B & N Manhattan Pitchapalooza on Publishers Perspective. http://bit.ly/bcHFaZ
#12: I Love LA! –Hollywood Disaster & the Jewish Men-Skirt http://bit.ly/9Ci5dB
#13: Vromans Versus Dancing with the Stars, Riding a Dinosaur, & a Minnie Mouse Who Needs $ http://bit.ly/bXYdQ8
#14: Coming Home to Portland, Autumn Leaves, and Packing Them in at Powell’s http://bit.ly/fs326Q
#15: Seattle: Mexican Prisons, Sea-Salted Pate & Losing Your Innocence to Jimmy Carter http://bit.ly/fZKSiG
#16 Phoenix: Irving Berlin, Women Who Run With Wolves and a Random Act of Kindness http://bit.ly/gJRp0R
#17: Miami Book Festival: Versailles, Cheesecake Popsicles, and Sexo PARA Dummies http://bit.ly/dZsInz

We also did our first live Twitter event. Here it is on Huffington Post:

POPPING MY CYBER CHERRY ON TWITTER: http://bit.ly/dUtYck

We feel blessed to have met so many madly passionate writers and bravura booksellers. Already many of the writers who pitched to us are being wooed by agents and editors, which excites us no end. Because we are the Book Doctors, making books that are better one author at the time. We’re starting again on January 5. Here’s our schedule.

If you know of any group, association or venue with writers who’d like help getting successfully published, send them our way. We’re also offering this holiday special. For you, or as a gift for any writer you know, get a free consultation with the purchase of The Essential Guide to Getting Your Book Published. Either do it through our website and send us e-mail verification. Or call: 310-463-2068. Operators are standing by.

FREE $100 BOOK DOCTORS CONSULTATION W/ PURCHASE OF BOOK: http://www.thebookdoctors.com/buy-the-book/

SEX WORKER LITERATI: ZOE HANSEN’S HO HO HO HOLIDAY PARTY: http://on.fb.me/fA5lul.

Links for your viewing pleasure:
ROSABELLE SELAVY: WILD THING DIRTY DANCES http://bit.ly/i367iz
SCOTT UPPER: THE LONGEST HOUR EVER, TICKLING & THE TRICK’S MOM http://bit.ly/hysLrE
PUMA PERL & BIG MIKE: SCISSORS, CUTTING & WHORING http://bit.ly/eErCPO
DAVID HENRY STERRY: PAINFUL SEX@MY FIRST ORGY http://bit.ly/f7qBCt

Bonus material:
ME TALKING ABOUT SOCCER ON NPR. http://bit.ly/esGJrr

I hope everyone has a Happy Holiday, and a ravishing New Year. May all your dreams come true in 2011. xox D

Rocking Long Island, Death at Joseph-Beth, Killing in the Big Apple, & an Ivy League Pornographer

As Thanksgiving rolls its turkey neck towards us, Christmas looms ominously around the corner, and one more year of my life expires, we’re super stoked about the next stop on the Essential Guide Rocks America tour: We’ll be rocking LI, NY, Thursday, Dec 2, 7pm. Pitchapalooza: Book Revue in Huntington Long Island, with special All-Star publishing celebrity guests James Levine of the Levine Greenberg Literary Agency, and Mauro DiPreta, Vice President of It Books, ( HarperCollins)

It’s been an insane month, an insane fall, an insane year.  We just performed in 13 cities over the course of three weeks: from the Big Apple to Tinseltown; Miami to Seattle; Portland to Pittsburgh; Denver to St. Louis to San Francisco.  We had dizzying triumphs and brutal failures.  Our book, The Essential Guide to Getting Your Book Published was officially released on November 3, and we haven’t even had time to celebrate yet.  I’ve toured by myself, with the Sex Worker Arts Show, with Arielle, and with the stars from the Chippendale’s Male Strip Show.  I’ve never toured with a three-year-old.  Especially a three-year old who is Olive.  She more fun than all of them.  We were worried about what was going to be like to shlep her around America with us, but she proved by far the most resilient and cheerful member of the team.  Here are our reports from the road, deep in the trenches of the publishing wars.

Denver Pitchapalooza on New Books West http://bit.ly/9yG2on

Big Love from the Big Read Festival in St. Louis bit.ly/akI1Xg

Movie: Great Book Pitch: Winner of St Louis Pitchapalooza, Zach Stovall pitching his book about being a fat bald white guy http://bit.ly/hV6LAU

The Essential Guide Rocks America Tour Kicks Off: http://bit.ly/dbk39k
#2: 1st Stop Washington DC: the Borders Incident: http://bit.ly/cQ11fj
#3: NPR Love in DC: http://bit.ly/9bCUcl
#4: Pat Conroy & Scarlet O’Hara On the Road to Pittsburgh: http://bit.ly/aVBAH5
#5: Death @ the Bookstore – The Murder of Joseph-Beth in Pitsburgh: http://bit.ly/dpYTnj

#6: Miss Ida, Daryl & Olive Chillin in Steel Town http://bit.ly/aLZS22

#7: The Beauty of Loganberry Books & the Universe’s Lollipop http://bit.ly/abOTPR

#8: Dawn Cracks Early in Cleveland  http://bit.ly/axLCDP

#9: An NPR Homey, Finding Happiness @ Books & Co & the Dayton Airport Blues  http://bit.ly/cwd6lo

#10: Stuck in Dayton on the Day That Would Never End http://bit.ly/cfipH1

Our awesome Editor Goddess Savanna calls it as she sees it on our Pitchapalooza Barnes & Noble, 86th St., with publishing titans Larry Kirshbaum and Bob Simon.  http://bit.ly/bcHFaZ

The Art of the Pitch and our B & N Manhattan Pitchapalooza on Publishers Perspective. http://bit.ly/bcHFaZ

#11: I Love LA! –Hollywood & the Jewish Men-Scared http://bit.ly/9Ci5dB

#12: Vromans Versus Dancing with the Stars, Riding a Donasaur, & a Minnie Mouse Who Needs $ http://bit.ly/bXYdQ8

Arielle talks about five books that will help you turn your passion into income, and dispenses wisdom from her years as a literary agent and entrepreneur on LearnVest. http://bit.ly/hGG1OW

Bradley Charbonneau of Likoma Island & the Book Doctors talk about Effective Author Websites http://bit.ly/bmW8Fj

Arielle interviews Robert Grey of Shelf Awareness on seven ways to get an independent book store to stock your book. http://bit.ly/ea3UJ2

Sex Worker Literati  – Sun Nov 28, 7pm, Bowery Poetry Club

The story of How Hos, Hookers, Call Girls & Rent Boys Ended Up in Bed with TV’s Friends Co-Creator http://bit.ly/hG8nVN

Very excited to be riding herd with Zoe Hanson over another cavalcade of Glamorous yet seedy art babes, Ivy League pornographers, filthy poets and nasty dancers from the belly of the beast.

MOLLY CRABAPPLE http://mollycrabapple.com/ – Illustrator for Marvel Comics, NY Times, Wall Street Journal, Neil Gaiman, & your neighborhood fire eater. Creator of Scarlett Takes Manhattan and The Puppet Makers, an upcoming web series for DC Comics. Creator of Dr. Sketchy’s Anti-Art School, alt.drawing salons in over 100 cities. Speaker at Museum of Modern Art, & South by Southwest. Caffeine addict.

SAM BENJAMIN http://www.ivyleaguepornographer.com/ – Brown University graduate, a former go-go dancer, and the director of over one thousand Los Angeles-based interracial gangbangs, gay and straight. His book, “Confessions of An Ivy League Pornographer,” is a memoir of a youth well spent.

PUMA PERL http://pumaperl.blogspot.com/– Puma Perl is a lower east side poet/writer/performer/producer/ex-narcotics enthusiast/recovering junkie who relives it all in her work. She is the author of Belinda and Her Friends and knuckle tattoos, and, with Big Mike, is half of DDAY Productions. She believes in the inclusion of gratuitous sex and pointless profanity in her writing and performance art..

BIG MIKE – Creator of “Big Mike’s Big Show,” author of two books, Sibling Rivalry and 81 Pounds, and was crowned Best Neptune in the Mermaid Parade, 2004.

DR. ALEX KINNEY – PhD in Pornology, Professor of Filth & Debauchery, elocutionist, professional dominator, rough trade specialist, hedonist scholar, and hung like a horse.

DAVID HENRY STERRY – Former teen manchild ho, satirist, muckraker and author of 12 books, including Hos, Hookers, Call Girls and Rent Boys, which is being made into a dance piece to take the Lincoln Center by a top Hollywood producer, as well as Chicken, which is being made into a TV show by Showtime. www.davidhenrysterry.com

ZOE HANSEN – L.Z. Hansen came to New York City in and as an is a1984 at seventeen years old from London England searching for the American Dream. She found it wearing crotchless panties and 6 inch f*ck-me pumps, running a high-end Manhattan brothel. Now she writes and performs about it. Check it out. http://lzhansen.com/

MISS MARY CYN – classically trained actor with a BFA from NYU who takes her clothes off in bars. She is the founder and co-producer of Original Cyn, the partingest show in New York, and a member of the troop Epic win, Burlesque FOR nerds, BY nerds. Find her on facebook or look her up at www.marycyn.com

http://www.bowerypoetry.com/

http://www.facebook.com/event.php?eid=158916630815835&index=1

With Thanksgiving a couple of days away, I feel very thankful.  For our amazing publisher, Workman http://www.workman.com, our Editor Goddess, Savannah, and all of our family there, from Susie Bolotin to a beloved colleague who passed away recently, the extraordinary copyeditor Lynn Strong, http://bit.ly/gVdcz.  Thankful for all the amazing panelists we had, Larry Kirschbaum of LKJ http://www.ljkliterary.com/ Bob Miller new Publisher of Workman, Martha Moody http://www.marthamoody.net/ Nancy Martin http://www.nancymartinmysteries.com/ Lee Montgomery of Tin House http://www.tinhouse.com/ Michael Schaub of bookslut http://www.bookslut.com/authors.php?author=Michael%20Schaub and Alison Hallet of the Portland Mercury http://www.portlandmercury.com/ Vince Rause, Anne Trubeck http://www.annetrubek.com/ Sharon Short, author of Death by Deep Dish Pie http://www.sharonshort.com/ Allan Fallow of AARP http://www.aarp.org/ Electroboy himself Andy Behrman http://www.electroboy.com. Betsy Lerner, author of Forest for the Trees  http://betsylerner.wordpress.com/ . Johnny Evison http://www.jonathanevison.com/ and Kurtis Lowe in Seattle. I’m thankful for the enormous kindness we received from our good friend Jessica Goldstein, who threw an amazing book party for us in Washington DC, and invited all for NPR friends.  I’m also thankful for all the incredible booksellers and lovers who gave us so much generosity and expertise.  Jim Levine of Levine Greenberg Literary Agency http://www.levinegreenberg.com/ Steven Sorrentino, Director of Author Promotions for Barnes & Noble, and Edwin Tucker, CRM of 86th St. B & N http://www.barnesandnoble.com/ Harriet Logan of the incredible Loganberry Books http://www.loganberrybooks.com/ Kevin Sampsell http://kevinsampsell.com/ of Powell’s at Barnes & Noble, Dayton NPR book guy Shaun Yu http://www.dpr.org/people/shaun-yu.htm, Sharon Kelly Roth at Books and Company http://www.booksandco.com/ Ed Nowatski of Publishers Perspective http://publishingperspectives.com/, Mitchell Kaplan of Books and Books http://www.booksandbooks.com/ and the Miami International Book Festival.  My sister Liz, Daisy White, and all the other great babysitters who help us out with Olive.  Thanks to all the great writers for all their amazing pitches.  And of course I give thanks for Olive and Arielle, my ex-agent and current wife.

Google: Friend to the Author, or Fascist Corporate Totalitarians?

Google: Friend to the Author, or Fascist Corporate Totalitarians?

“Dude, djoo hear what Google’s doin?” Spud (not his real name) sounded all tweaky and freaked out through the phone.

“No,” I said, “what’s Google doin?”

“They’re stealin’ our books, dude!” Spud spat.

“What are you talkin’ about?” I spat back.

Spud is a very good writer. But I’ve learned you have to take everything Spud says with several tablets of salt, because Spud loves his conspiracy theories, and is happiest when railing against how the Man is ripping him off.

“Okay, check this out,” Spud launched. “Google, they’re downloadin’ every book ever written. EVERY BOOK EVER WRITTEN!!! That means your books, and my books, dude, they’re scannin’ em and they’re puttin’ on-line for free. FOR FREE.”

“Really?” I had a small panic. That would be bad for business. Very bad.

“Yeah, dude, even as we speak, in an underground lab in Mountain View, they gotta team of Umpa Lumpa’s scanning round the clock, my man,” spewed Spud, “and cuz they’re worth, like, 40 kazillion dollars man, they they think they can just like, rule the universe. It’s imperialistic totalitarian corporate fascism, bro, it’s like 1984, like Animal Farm, like Lord of the Flies, they’re like Attila the Hun of the cyber-world man, they’re rapin’ burnin’ and pilagin’ – “

“Spud, slow down, man, come back–“

“And now they’re comin’ after you and me, dude, talkin’ food off our plates, they’re violating our inalienable constitutional rights, they’re like AT&T used to be: ‘We’re Google, we don’t care, we don’t have to.’”

After I talked Spud out of going to Google’s Mountain. View campusand blowing it to Kingdom Come, I hung up the phone, shaken. I make my living writing books. I have a Young Adult book coming out in April, and I had a vision of kids all over the world downloading my book, printing it out and reading it for free.

FOR FREE!!!

I had a vision of my first six-month sales print out: 0 copies sold. Which would mean when I go to sell my next book, that’s the advance I’d get: $0.00. And how am I gonna fight Google? I’m just one sadsack geek pecking away on my G5. They’re Google. They rule the Cyberworld, an omniscient, omnipresent omnibeast that would crush me like a crusty bug and turn me into road kill on the information super-highway.

That night I had a terrible dream. A giant head, not unlike the Wizard of Oz, was hovering over me, booming:

“I am GOOGLE! I will make millions off the sweat of your brow and the genius of your brain! The great and powerful Google has spoken!”

I bolted awake sweating cold bullets, determined to fight this axis of evil with every fiber of my being. Over breakfast I vented about the attack of the killer mutant Google to my lovely and talented wife, Arielle Eckstut, who, thankfully, is the rational half of our partnership. She’s been a literary agent for a dozen years, sold hundreds of books to publishers large and small. I like to say she is one of America’s top literary agents, but she hates when I say that, so I won’t. She’s also the author of three books, two of them with me.

To my surprise, Arielle had a very different perspective on the whole Google fiasco. “Look,” she said, “the hardest thing for the author is just getting people to notice your book, if Google can help you do that, great. Only 10% of books earn back their advance, so they go outta print. Look at Satchel Sez.”

Satchel Sez is one of the books we wrote together. It’s about the Negro Leagues legend Leroy Satchel Paige. It was an American Library Association pick of the year for teens. It came out in ‘01. It’s now out of print.

“We have the last ten copies of that book. Wouldn’t it be great if every time someone Googled ‘Ol Satchel they could find out about our book and read it? That’s why we wrote the thing, so people would read it.”

“Yeah,” I sighed, “it’s so sad, it’s like that was our first kid and it died on its fourth birthday.”

“And what about Mort Morte?” she continued. Mort Morte is a dark, twisted subversive experimental novel I’ve written that I haven’t tried to sell yet. “No one in publishing is going to give you any money for that book. It’s too weird for mainstream publishers. Imagine if Google could help you reach 100,000 college kids who download that book, and they each told a friend, etc, etc, you could then go speak at colleges, and make money that way. You could go to Hollywood and make a very strong case that you already have a built-in, reachable audience for a movie. It would increase your stock as a writer. And what about business books or medical books? A lot of people write books because they have important information they want to spread. And once these books are out they then use them as a calling card. Like Marty.” She’s referring to Dr. Marty Rossman, a client of hers who has a medical practice in Northern California. He’s an expert on chronic pain and has written several books about it. “He could put his book on Google and get it linked to his office, and sell his DVDs, and his CDs, and his services as a lecturer.” Arielle was really hitting her stride now, like a thoroughbred coming around the turn at Churchill Downs.

“And what about Seth?” She was talking about marketing guru, Seth Godin who is famous for giving away his books for free. “He thinks that ideas you give away, you put them out in the world for free, and then people come to you and pay you when they need ideas. Lots of books would be great on Google: poetry, books of essays, short stories. People who are self-publishing. Self-publishing is so huge now. It’s so hard selling a self-published book. Why wouldn’t you want your self-published books on Google, so billions of people could have access to them? Besides, people who love books really love books. They’ve been screaming about the death of books ever since the talkies. But people will always buy books.”

At that point all I could do was shake my head and take a deep cleansing breath. After I gathered myself, I said: “Okay, but you wouldn’t want Google giving away PYPIP for free would you?” Putting Your Passion Into Print is the second book we wrote together. It came out in September 2005, and it is still a healthy growing baby, all vital signs very good. Arielle thought for a second.

“No,” she shook her head, “ I wouldn’t.”

The universe is a strange, mysterious and beautiful place. And the gods are a bunch of merry pranksters. Soon thereafter I got an email from Barbara Lane, from the the Commonwealth Club, a San Francisco institution, where the best and the brightest come to present and debate Ideas. They were having a panel discussion and asked me if I would like to present the perspective of a book writer. The subject: Google’s announced plan to scan every book ever written and make them available on-line FOR FREE!

Naturally, I accepted. Game on! This discussion was to be broadcast on National Public Radio. When I told Spud he almost wet himself he got so exciteed, and implored me to kick some Google butt.

The panel was moderated by Moira Gunn, host of Tech Nation, and consisted of: Bill Petrocelli, owner of Book Passage, a renowned independent bookstore; Brewster Kahle, Digital Librarian and Internet Archivist; Professor Pamela Samuelson, Director, Berkeley Center for Law and Technology of UC Berkeley; and Google lawyer Alexander McAlbrae.

Plus me. Naturally, I Googled them all. Including myself.

That night, the Commonwealth Club was packed and buzzing. I felt slightly out of place with all these mucketymucks, but I sucked it up and put on my game face. When the light went on a hush fell over the room, and I swear I heard the Google’s lawyer sphincter snap shut, although I do have an overactive imagination. They grilled the Google lawyer to a crisp, and though he did get a little lawyery, he made it abundantly clear that Google had no intention of scanning and scamming, of uploading books they didn’t have rights to. Of course, he said, we’re going to obey all copyright laws and we’re not out to steal anything in any way shape or form. We want to make information available, while not ripping anybody off. At the end of the whole show, the Google lawyer said: “Google loves authors.”

“I’m glad Google loves me,” I replied. In fact, it became clear to me that Google has no intention of making my current book available for free to anyone. However, they now have “Satchel Sez”, they’re scanning it in a basement in Mt. View, and it’s gonna be available for anyone in the world to look at. And with the 100th anniversary of Ol’ Satch’s birthday (or one of them anyway) coming up, I’m tickled pink. I’m seriously considering putting Mort Morte, my dark twisted subversive novel, up there for free too.

The Commonwealth Club evening was, for me, a true eye opener. One observation: it’s amazing how when you become a billion dollar business, people start to automatically hate you. I hope one day to have this problem.

So, I called Spud up the next day and after he vented at me for being a sellout lackey puppet of the paramilitary industrial state, I explained the whole thing to him. His reply: “Dude, you gotta hook me up with Google.”

Audio:

https://www.commonwealthclub.org/events/2006-01-01/should-books-be-free-online-googles-plan-stirs-controversy

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